The first movement of this suite I handwrote is also based on the very first official RUN recording I made from 2013, performed by myself on a Casio nearly ten years before I was to handwrite it and a little under twelve years before I re-performed and "PERFECTED," as I would sarcastically put it, the work on an iPhone app called Garageband. I've considered here in the next year or two after I get my stuff copyrighted and published (my best guess is sometime later this decade, but at this point I believe there's nothing left for me in this life and I've come to peace with that conclusion I've drawn) I could probably talk to a few people who are musical directors in my state who might be able to help me with working towards the privilege of directing my own work with a real-life cast of musicians one day. It'd be like making a movie, except all the actors are actually musicians.

Notice this technique I implemented here, the SAP approach. This usually applies to string players, but it can also apply to percussionists as well if you really want to go that far down the road. I'll think about that sometime as I resume work on a symphony I started working on last year.