Another astounding job on this TF! Have to say I've never heard of numbats before this but I'm really won over by how you drew them here.

For the first page, I love how seamless all the head changes are. I think one of the benefits of having sequential storytelling like a comic is seeing multiple parts change at once. It's not something you can do very gracefully when writing, so I'm always glad to see artists take advantage of it when they make something. How the nose slides down into the muzzle and snout is super smooth, and I love how the eyes are tilted now that they're on opposite sides of the head. Plus, the tongue swirling up and breaking the panel is a great choice for that technique, really emphasizes how long and spindly it is. The motion for the tail curling up is very well done too, and the last panel really gives us a great view of how long it is in comparison to the human body. The pose on that panel is good too, it does a good job showing the stabilization tails bring to animals.

Absolutely love how the shrinking was done on the second page. It gives us the vibe that just as the TFee is starting to get a bearing on things, he gets hit with the biggest change yet. The motion lines and especially that shocked expression in the second panel show us the shock perfectly and the way the jacket is drawn in the third panel does a good job suggesting a quick movement. That last panel is so damn good though, and it really gives us the feeling of "wow, he's that tiny?" I'm not sure how hard it was to draw that chair from that particular perspective, but it really paid off.

The third page was very well done too, I like the perspective showing us the feet becoming digitigrade and it kind of forcing them to all fours based on the second panel. I think that's an underrated detail that TF art doesn't really get to show very well. Honestly I think it's easier to illustrate in words, with how long the feet are in terms of the skeleton and the sensation of feeling like you're walking on your toes being easier to describe verbally. Plus, the patterning and how it emerges from the clothing is well-done like always. Special shoutout goes to the final panel, with the trope I really like where the eyes provide some of the last changes. I don't know if the person became feral in the changes but the naturalistic background in the last page seems to imply they escaped somewhere. I kind of wish the hands were more TFed in panel 3 to show how truly small they get but I like the look of the final panel, especially how clumsy and kinda cute the front limbs look. Plus, this is just a side note, but I guess the watch fit under "clothing" to you so it disappeared in the last panel. I think it could have been cool for it to have fallen off in the transformation and it being used as sort of an alternative size measurement as opposed to the table. The chair worked well too though!

Overall, I will never get tired of these comics you put out, I legitimately think they're some of my favorites in the TF community. Keep up the good work!

Ah thank you! And I'm so glad I could introduce you to a new species!

Seamless transitions definitely make animation a TEMPTATION for me, but I am NOT an animator, so I'm happy to do comics and sequential art XD
The thing is though, I love how writing can really get the FEEL of how something might feel, so they all have different strengths.

The shrinking was something I wanted to try, as I really hadn't emphasized it before. I think I still have a long way to go, but thank you for the compliments!
The chair itself wasn't too bad, as it's mostly straight lines. I also took a perspective class in university, so I have a little bit of practice haha.

The heel stretching and the knees tucking up into the belly is one of my favourite pieces in a sequence (if you can't tell), and is another one that has a lot of satisfying work to it!
Haha, the watch would have been a fair one. I think sometimes I like to merge everything, because then I don't have to try and keep track of it from panel to panel, but you're right in that it can be a useful reference point.

Thank you so much for your lovely comments!

Love this sequence! Super fun shapes and in-between stages.

Thank you so much!

Makes me sad they are endangered

aww