
Finally made one of those by modifying the printed one I use at conventions.
PLEASE NOTE that this only includes Traditional work (as in pencils, pens and markers)! I can also do digital commissions on a case-by-case basis. Please note me for information.
PLEASE NOTE that this only includes Traditional work (as in pencils, pens and markers)! I can also do digital commissions on a case-by-case basis. Please note me for information.
Category All / Miscellaneous
Species Unspecified / Any
Size 1000 x 799px
File Size 247.1 kB
quick ink based off of http://www.furaffinity.net/view/6864984 , darker coat, markings on the chest, tailored to a few mods on what Paxilon did for me.
Well, if your like be, digital takes a lot longer because you can nit pick and perfect nearly every line. When i was able to use a tablet in doing scenery, i always found myself brushing away invisible eraser bits after turnung the pen around to erase a line.
And here i was thinking that you have very affordable prices for comissions :p
And here i was thinking that you have very affordable prices for comissions :p
Thanks a lot! I appreciate it :)
The ability to zoom in and fix details is definitely a reason for taking longer, but there's also the fact that with traditional media, you've got a limited number of resources at your disposal -- a fixed number of markers, three pens, whichever -- and there's a specific technique one hones in doing the work a lot and gains speed. It's far faster for me to shade in marker than digitally because I know and anticipate my markers' reactions with each other and the paper, while digital work is more up in the air because of the wide array of tools and infinite colour palette. Plus, the desire to make it look nice and polished.
Maybe someday I'll find a fast, effective technique for colouring digital work. It'll take time and practice... which I don't necessarily have much of.
The ability to zoom in and fix details is definitely a reason for taking longer, but there's also the fact that with traditional media, you've got a limited number of resources at your disposal -- a fixed number of markers, three pens, whichever -- and there's a specific technique one hones in doing the work a lot and gains speed. It's far faster for me to shade in marker than digitally because I know and anticipate my markers' reactions with each other and the paper, while digital work is more up in the air because of the wide array of tools and infinite colour palette. Plus, the desire to make it look nice and polished.
Maybe someday I'll find a fast, effective technique for colouring digital work. It'll take time and practice... which I don't necessarily have much of.
You know, I deplore its lack of existence in the traditional media world ;) But as a friend showed me...
http://www.cbc.ca/nl/yourstory/mt/C.....20scissors.jpg
http://www.cbc.ca/nl/yourstory/mt/C.....20scissors.jpg
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