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More from LupisNocturna
I really dont know what to label this, its because the title is pending.
So, ladies and gentlefurs, I present to you some breakbeat to make your ears orgasm.
So far we have it just labeled as "Factory". But thats pretty weak sounding, so any suggestions would be really helpful.
Also, this isn't finished yet, but its EXTREMELY close. Only minor mastering plus some sick-nasty industrial noises and some more percussions.
Made in FL Studio 7.x with Native Instrument's StormDrum, Morphine, Sytrus, random samples out of every orifice on the body, REFX's Vanguard, and a few other things that I wont tell ya's about yet ^^
© to NanoAcid Corp.
-NAC is Mike Wilson and Adam Tomasik. All features made by NAC are mixed, produced, and mastered by its owners.
So, ladies and gentlefurs, I present to you some breakbeat to make your ears orgasm.
So far we have it just labeled as "Factory". But thats pretty weak sounding, so any suggestions would be really helpful.
Also, this isn't finished yet, but its EXTREMELY close. Only minor mastering plus some sick-nasty industrial noises and some more percussions.
Made in FL Studio 7.x with Native Instrument's StormDrum, Morphine, Sytrus, random samples out of every orifice on the body, REFX's Vanguard, and a few other things that I wont tell ya's about yet ^^
© to NanoAcid Corp.
-NAC is Mike Wilson and Adam Tomasik. All features made by NAC are mixed, produced, and mastered by its owners.
Category Music / Other Music
Species Unspecified / Any
Size 120 x 120px
File Size 4.84 MB
The only thing I would suggest is some more low end - but not everywhere. Some parts bennefit from the sparse, phat-free mix.
Maybe a sub-bass under that synth you keep playing with the filter on near the last thrid. A plain sine wave might work, just for plain oomph, or you could use a wide, fuzzy saw-based mixed waveform. Make it wiiiide, too - this is one time where stereo bass is not a no-no.
Maybe a sub-bass under that synth you keep playing with the filter on near the last thrid. A plain sine wave might work, just for plain oomph, or you could use a wide, fuzzy saw-based mixed waveform. Make it wiiiide, too - this is one time where stereo bass is not a no-no.
Well, teh ball-punching is all over, just smack some drum compression on there and fiddle with it till your goonies go numb.
As for the bass, it's a sparing thing, but after the very beggining would be good (unless you wanna add some right-on-the-ball, get-to-the-fucking-point bassline to hook folks), and near the middle of the first half. In this case, it would be good as a sparringly used, come-in-come-out once in a while addition rather than a traditional building block present in the entire peice.
Think of it as a dogfight, where the bass loses to the rest, but not because it's a pussy, it just loses in the end.
As for the bass, it's a sparing thing, but after the very beggining would be good (unless you wanna add some right-on-the-ball, get-to-the-fucking-point bassline to hook folks), and near the middle of the first half. In this case, it would be good as a sparringly used, come-in-come-out once in a while addition rather than a traditional building block present in the entire peice.
Think of it as a dogfight, where the bass loses to the rest, but not because it's a pussy, it just loses in the end.
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