I think this is great and they're all great but I don't know any of them well enough to compare.

Still, :D

Haha, still thanks for listening.

EPIC

Beautiful. Very "orchestral" sounding!!! You did an excellent job on this!

I wish I had the patience to make that kind of music. But I have none so I just do quick stuff... :'-(
Here is an example of what people can do when they actually spend time on. Congrats !

Thanks, but I think your piano pieces are amazing

I get a feel of Lord of the Rings going on here, James Horner would be impressed.

I can hear kinda of how you said you emulated my style, but i hear plenty of your elements, so its an entirely an amazing piece! All three go so well together, i can pick any i like the most! But i am still working on III as a piano piece, still dealing with my hand healing, but i am tinkering with the structure

Thanks bro, means a lot! I do love James Horner's style. Glad you liked it :) Hope your hands get better.

Excellent job, I can tell you put a lot of effort into composing this! :)
Pieces like this make me want to spend more time actually composing, instead of writing quick little trance/remix pieces.

Yeah, for weeks I was just comming up with a new intro lol, thanks, time is always your friend lol

Great work here, you have some really nice themes going here! I don't hear LotR like others have stated though, you don't let the brass overpower the score like some Western orch composers do and balance all the sections nicely. It kinda reminds me of Bewjewled's music, don't know if you play that but lovely orch music there.
What programs do you use? By the sound, I'm guessing Edirol? I'm very picky about strings because they can sound so..."samey" for lack of a better term when it's a big section of strings when you use a bunch of them, I think Symphobia is great for that BIG Hollywood sound. Great job, I'm very impressed

Thanks a lot for the comment, I actually use Miscraft, which really isn't that great, but I make the best of it. The strings are ok, but brass isn't that great, I'm saving up for a new program :)

The sustained notes in the opener were an excellent way to establish the mood. You took this one slower than usual, but I was right with you from the beginning. The contrast at 1:20 with the staccato notes in front with the slowly rising swell in the brass was an excellent way to break out into the next epic swell. You are a master weaver of different elements. Not only easy to follow, but I am eager to go where you lead. Suddenly going dark at 3:05 was a dramatic choice. It brought tension to the piece, as did the near silence at 3:35. It really set the tone for the reprisal in the second half. You have a very strong and intuitive sense for how to put together a seamless piece of music. No holes are patched, nor blemishes stuccoed. Everything that's in the piece has a purpose, an intrinsic need to be there. I don't always know what it is, but that makes finding out such an exciting adventure!

well liked... and now it's time for breakfast...

V.