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![Fashionably Late [colored]](http://d.furaffinity.net/art/troublefree/1330201100/1330201100.troublefree_oshitoshit.png "Click to change the View")
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Ink, copic markers, bristol board
Ink, copic markers, bristol board
Category All / All
Species Unspecified / Any
Size 958 x 909px
File Size 735.8 kB
I'm taking a few classes for it, but I want to be a camera operator professionally and that doesn't require much film school. I'm working on my own documentary, which will take a few years to produce. I'm a production assistant for a producer who made a documentary about hitchhiking around Africa, so I travel around with them and help promote the film while learning how to work on my own! It's a huge milestone in my life because this is what I've always wanted to do, and it's finally happening.
Anyway, I still think we should hang out :c and why did you balete your Fakebook?
Anyway, I still think we should hang out :c and why did you balete your Fakebook?
Oh no - why is she running in the opposite direction than in the thumbnail ?!
I must say that it is a peculiar experience to see a submission shift through different stages of maturity in an insect-like way, as in accompanied by a an actual change of submission files; most people content themselves with creating a blurry trail of sketches leading up to the finished piece, all wrapped individually. Still, I have managed to save the first version, as it has a stand-alone value.
Whether it is an influence of a certain mutual acquaintance of ours, or something else entirely, but your initial shyness about working in real media seems to have dissipated utterly, and your profound digital skills have translated into your ink and pencil work seamlessly.
There are many applaudable attributes to this piece, even without a background - especially without a background, even. For one, it's the very plausible running posture: the hunched shoulders, the slightly lifted tail, the inertia-anchored purse wagging in the wind. The "cling to that stack of paper for dear life" rigid grip so characteristic of someone being in a hurry with a bunch of important stuff carried. The latter detail pertains more to the character herself, and here you've done a swell job as well, particularly with the look on her face - it's that slightly unfocused expression of someone who's all determination to get from point A to point B without much thought as to the exact route and how obstacle-strewn it might be. The wrinkles at the bridge of Penelope's nose are a good enhancing visual clue to go with that mouth-transported apple - which, in itself, is a yet another hallmark of a harried-hurried person. And, if one would go out absolutely out of one's way with contrivances, the hatching of Penelope's spots having its vectors aligned with the trajectory of running might be giving an impression of microscopic movements of the fur as it's being brushed while propelled through the air at high velocity.
Kudos for coming up with such a mind-boggling hybrid hair do, combining dreads with bangs, and also for paying so much attention to that purse embroidery detail !
I'll be sure to file this piece in as something to go back to and gaze at again, just as soon as it reaches its final stage.
I must say that it is a peculiar experience to see a submission shift through different stages of maturity in an insect-like way, as in accompanied by a an actual change of submission files; most people content themselves with creating a blurry trail of sketches leading up to the finished piece, all wrapped individually. Still, I have managed to save the first version, as it has a stand-alone value.
Whether it is an influence of a certain mutual acquaintance of ours, or something else entirely, but your initial shyness about working in real media seems to have dissipated utterly, and your profound digital skills have translated into your ink and pencil work seamlessly.
There are many applaudable attributes to this piece, even without a background - especially without a background, even. For one, it's the very plausible running posture: the hunched shoulders, the slightly lifted tail, the inertia-anchored purse wagging in the wind. The "cling to that stack of paper for dear life" rigid grip so characteristic of someone being in a hurry with a bunch of important stuff carried. The latter detail pertains more to the character herself, and here you've done a swell job as well, particularly with the look on her face - it's that slightly unfocused expression of someone who's all determination to get from point A to point B without much thought as to the exact route and how obstacle-strewn it might be. The wrinkles at the bridge of Penelope's nose are a good enhancing visual clue to go with that mouth-transported apple - which, in itself, is a yet another hallmark of a harried-hurried person. And, if one would go out absolutely out of one's way with contrivances, the hatching of Penelope's spots having its vectors aligned with the trajectory of running might be giving an impression of microscopic movements of the fur as it's being brushed while propelled through the air at high velocity.
Kudos for coming up with such a mind-boggling hybrid hair do, combining dreads with bangs, and also for paying so much attention to that purse embroidery detail !
I'll be sure to file this piece in as something to go back to and gaze at again, just as soon as it reaches its final stage.
The Bands name is Skatoons with the Song "Spät dran" (running late in english)
http://www.youtube.com/watch?v=q2KaxqBZIyg
http://www.youtube.com/watch?v=q2KaxqBZIyg
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