![Click to change the View [NOT FURRY] Rosemary](http://d.furaffinity.net/art/stigmata/1333497332/1333497332.stigmata_jonathanvair_rosemary.jpg)
Have you ever seen somebody and then gasped in conflicted inner-dialogue, "My God. I need to paint her,"? This study almost didn't happen. Luckily my girlancée convinced me to introduce myself, and minutes later I got this photo. Her posture, the lighting, everything about the reference captured the vibe this woman gave off. She is absolutely incredible.
I have her number, so with any luck I'll be able to meet her in the same breakfast house and give her a print of this in person.
4/9/12 EDIT: The girl and I presented her the print. She insisted on getting a frame herself, as she was so excited to take it home and look at it! And everyone lived happily ever after!
I have her number, so with any luck I'll be able to meet her in the same breakfast house and give her a print of this in person.
4/9/12 EDIT: The girl and I presented her the print. She insisted on getting a frame herself, as she was so excited to take it home and look at it! And everyone lived happily ever after!
Category Artwork (Digital) / Portraits
Species Unspecified / Any
Size 1000 x 750px
File Size 109.9 kB
You made the lighting your bitch. Artists, even artists who work in realism, always jazz up the lighting so the image feels off. The realism works, even in this chaotic style, because you went with how light actually looks most of the time: white. Wonderful job.
A testament to what you've done here:
When I look at this painting, I can imagine myself there immediately. There is no imagination period. I can feel the warmth of the moment, as if I'm laughing with the woman.
It sounds like flattery, but you've captured this perfect mix of qualities so that really happened.
A testament to what you've done here:
When I look at this painting, I can imagine myself there immediately. There is no imagination period. I can feel the warmth of the moment, as if I'm laughing with the woman.
It sounds like flattery, but you've captured this perfect mix of qualities so that really happened.
Impatience, mostly. I want to make unrealistic leaps of progress in a short amount of time, so I get frustrated when I spend hours working on a single ambitious picture only to have it not turn out how I want it to. I know I have to start with the basics, but those don't excite me enough to stay motivated. I want to pick up a pencil or paintbrush and make something amazing right now, but it seems I lack the focus and dedication required to hone my skills over time. It's the classic problem of wanting instant gratification and giving up when I don't get it.
Exactly those!
Haha, that question, in truth, is a cruel joke. I was more satisfied with my work years ago, before my tastes had gotten more picky. Now I'm never satisfied with my work, as my golden standards for illustration are literally the greatest illustrators on the planet. Have you noticed I rarely describe an image with, "I'm pretty satisfied/proud with how this turned out!"
That being said, I was first confident that I could succeed when I looked at Jeffrey Jones, realized he was one of the greatest illustrators who ever lived, and I knew how to technically recreate a painting. The only thing stopping me at that point was knowledge and/or experience, and I try not to look back to this day (still not established pro yet, of course).
Haha, that question, in truth, is a cruel joke. I was more satisfied with my work years ago, before my tastes had gotten more picky. Now I'm never satisfied with my work, as my golden standards for illustration are literally the greatest illustrators on the planet. Have you noticed I rarely describe an image with, "I'm pretty satisfied/proud with how this turned out!"
That being said, I was first confident that I could succeed when I looked at Jeffrey Jones, realized he was one of the greatest illustrators who ever lived, and I knew how to technically recreate a painting. The only thing stopping me at that point was knowledge and/or experience, and I try not to look back to this day (still not established pro yet, of course).
Also, Jon Foster took seven years until after he graduated to make it in the industry, so that's good to know. :)
Wow. Very nice. And yes I know what you're talking about... I am too shy a person to walk up to someone sometimes, so I quietly flip out my sketch pad and draw away, heh... all these faces and people in my book. I hope it's not a little creepy.
Beautiful piece, though... So warm.
Beautiful piece, though... So warm.
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