
maurice sendak is most well known for where the wild things are, but i think the story of his that had the biggest impact on me growing up was pierre.
in part because i’m an auditory learner, and i had the tape where some lady sang the poem. i think the flipside had chicken soup with rice, but mostly i just listened to pierre.
pierre is the story of a little boy who repeats over and over that he doesn’t care, no matter what is offered to him or what’s going on. eventually he’s eaten by a lion. it turns out he’s later released from inside the lion, but i guess that didn’t have quite the same impact as BOY DOESNT CARE: LION EATS HIM on me as a child because i gradually forgot about that part as i grew older. i was about four, maybe five at the time. my sister was either not born yet or an infant.
the story also probably had a larger impact on me than most children because if i ever dared utter the phrase ‘i don’t care’ my mother would instantly and snappily respond with “well okay, PIERRE.” i was a gulliable child who believed carpenter bees wore tool belts and refused to eat pizza for years because someone told me it would cause cheese to grow on my chin. my mother’s insistance that i was acting like pierre just convinced me that someday i, too, would be consumed by a lion.
i gradually grew out of that fear, but still.
mr. sendak, you are sorely missed.
in part because i’m an auditory learner, and i had the tape where some lady sang the poem. i think the flipside had chicken soup with rice, but mostly i just listened to pierre.
pierre is the story of a little boy who repeats over and over that he doesn’t care, no matter what is offered to him or what’s going on. eventually he’s eaten by a lion. it turns out he’s later released from inside the lion, but i guess that didn’t have quite the same impact as BOY DOESNT CARE: LION EATS HIM on me as a child because i gradually forgot about that part as i grew older. i was about four, maybe five at the time. my sister was either not born yet or an infant.
the story also probably had a larger impact on me than most children because if i ever dared utter the phrase ‘i don’t care’ my mother would instantly and snappily respond with “well okay, PIERRE.” i was a gulliable child who believed carpenter bees wore tool belts and refused to eat pizza for years because someone told me it would cause cheese to grow on my chin. my mother’s insistance that i was acting like pierre just convinced me that someday i, too, would be consumed by a lion.
i gradually grew out of that fear, but still.
mr. sendak, you are sorely missed.
Category Artwork (Traditional) / Animal related (non-anthro)
Species Lion
Size 543 x 587px
File Size 577.6 kB
Amen!
I only recall reading Where The Wild Things Are. Now I need to see the other books he did. Over the years though, I've seen other references to Sendak.
I once wrote the artist of Nine Lives (Nikki Stavin)saying that her drawing and coloring style reminded me of Sendak. She replied with something like "..OMG he was my favorite illustrator as a child!" It was like my comment totally surprised her.
I saw on PBS once a Metropolitan Opera production of Humperdinck's Hansel & Gretel which had the sets and backgrounds designed by him.
Art Spiegelman drew a cartoon interview between him and Sendak which appeared in the New Yorker. It was so great. He spoke of not going along with the sweetness and light mode of children's literature. He underscored this by gleefully bellowing, "Childhood is cannibals and psychotics vomiting in your mouth!"
I rarely write tributes about people I don't personally know who've passed on, but Sendak deserves this from me, at bare minimum.
I only recall reading Where The Wild Things Are. Now I need to see the other books he did. Over the years though, I've seen other references to Sendak.
I once wrote the artist of Nine Lives (Nikki Stavin)saying that her drawing and coloring style reminded me of Sendak. She replied with something like "..OMG he was my favorite illustrator as a child!" It was like my comment totally surprised her.
I saw on PBS once a Metropolitan Opera production of Humperdinck's Hansel & Gretel which had the sets and backgrounds designed by him.
Art Spiegelman drew a cartoon interview between him and Sendak which appeared in the New Yorker. It was so great. He spoke of not going along with the sweetness and light mode of children's literature. He underscored this by gleefully bellowing, "Childhood is cannibals and psychotics vomiting in your mouth!"
I rarely write tributes about people I don't personally know who've passed on, but Sendak deserves this from me, at bare minimum.
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