
While my getting a respectable amp is still in the works, I have enough effects now to take down the better part of Neo China! Previous recordings haven't utilized them due to time constraints and the fact that I was still wrestling with settings, but these make my recordings a LOT tighter, and enable a lot more guitar-wise.
[Guitar geek lingo ahead]
From right to left:
-Digitech RP200 Effects Processor. Truth be told, the distortion on this thing is crap, but it makes up for it in the choruses, reverbs and whammy alone. Takes some skill to use simply due to the overwhelming number of settings. I mean seriously. Christ.
-Boss NS-2 Noise Suppressor. Looped once through the clean signal and again through distortion, this thing gives peaceful silence in between notes where there would normally be squealing, hissing, popping, locking and dropping it. A handy little tool with very responsive controls.
-Boss MT-2 Metal Zone. What a great distortion pedal. At first I thought it was crap, but I realized that fiddling with the four-knob EQ (the wide and skinny parts of the two middle knobs) gives you a lot more kick if you're smart with it. I loop it through the noise suppressor, but that does nothing to lessen its powerful punch. Easily my favorite pedal.
-Dunlop Cry Baby Wah. Just a simple, ordinary, everyday, standard, run-of-the-mill, meat-and-potatoes wah. Makes the thing go from bass to treble really really quick, causing those funky "wah!" and "awhoh" sounds you hear in funk and 70's porn/cop film music. Simple. As. Hell. I love it, and it's fun to be a jackoff with it.
[Guitar geek lingo ahead]
From right to left:
-Digitech RP200 Effects Processor. Truth be told, the distortion on this thing is crap, but it makes up for it in the choruses, reverbs and whammy alone. Takes some skill to use simply due to the overwhelming number of settings. I mean seriously. Christ.
-Boss NS-2 Noise Suppressor. Looped once through the clean signal and again through distortion, this thing gives peaceful silence in between notes where there would normally be squealing, hissing, popping, locking and dropping it. A handy little tool with very responsive controls.
-Boss MT-2 Metal Zone. What a great distortion pedal. At first I thought it was crap, but I realized that fiddling with the four-knob EQ (the wide and skinny parts of the two middle knobs) gives you a lot more kick if you're smart with it. I loop it through the noise suppressor, but that does nothing to lessen its powerful punch. Easily my favorite pedal.
-Dunlop Cry Baby Wah. Just a simple, ordinary, everyday, standard, run-of-the-mill, meat-and-potatoes wah. Makes the thing go from bass to treble really really quick, causing those funky "wah!" and "awhoh" sounds you hear in funk and 70's porn/cop film music. Simple. As. Hell. I love it, and it's fun to be a jackoff with it.
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Would it surprise you to know that I have seen both simpler and more complicated rigs to get the kinds of sounds you are describing here.
Seems like yours makes sense without all that extraneous crap in the middle. But then, I know about as much about guitar playing as I do vaginal farts, so there ya go.
Seems like yours makes sense without all that extraneous crap in the middle. But then, I know about as much about guitar playing as I do vaginal farts, so there ya go.
Ahhh! I like me some RP effects. But I like my Digitech Whammy a lot, too. That has to be the most obnoxious fucking pedal ever! I like your noise sup., too. I use the little blue MXR box, myself. :3 I've stuck with it since I first got it. I rarely use distotion pedals - mainly due to my amp and pickups able to crank out enough treble to fry bacon - but if necessary, I'll use a Boss-something. I haven't been truly big on wah's lately, just using a Dunlop screamer.
. . . oh, and, what kind of amp are you looking for?
. . . oh, and, what kind of amp are you looking for?
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