little

Excellent hand-claws here also, they even hang naturally. You like doing faces in strict profile, hm?

Well, it's not really something I notice or try to do. But when you bring it up my artistic history flashes before my eyes somehow and pretty much I will try to some self analysis and try to respond to this. I can say that when I draw, I don't usually want to incorperate any element of the viewer. Such as when people draw their character's specifically communicating with the viewer or in some way appearing aware of the fact that they are in a drawing. I always wanted to portray how I picture my characters and world in my mind, more so from a third person narative. How simply you are somehow able to see these things and events occuring as if naturally in some plane or realm.

I suppose visually myself as a ghost (for reference ease) in this world, were I to be, say, looking a character in the eyes, if they were looking at something else of interest I would be between them and since I'm not Naruto or Kakashi I can't look left and right at once. So upon a bit of probing myself I can say I would place the viewer's perspective at a point of profile to allow periphrial glance at least of what is capturing these character's attention.

Or perhaps you cannot see, but instead of being the center of attention there's an allure and drawing-in factor of trying to persuade the viewer to want to know more. I guess I have been subliminally trying to pull my audiance into my story and you noticed it pretty quickly. Sharp eye you have there. Hope I gave an adequate analysis there, self critique is a vital tool for any artist.