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Script Request (True Tales of Transformation #1)
3 years ago
Hi, all!
I had a request from someone to post one of my scripts. Specifically, True Tales of Transformation #1. By far one of the craziest scripts I ever produced.
I mainly “learned” how to write scripts from “Alan Moore’s ‘Writing For Comics.’” In the real world, I think most artists hate working this way. However, in our world, I think commissioned artists appreciate someone that can tell them what they want versus someone who can only tell them what they don’t want. That said, Bubbeh and PinklePickle are fucking saints for putting up with me.
So without further adieu, here is the script for True Tales of Transformation #1. I had the idea for issue #2 with Bubbeh but I pussed out. Maybe someday… Here we go.
Script
Page 1:
Intro) The upper part of the page is completely devoted to the Stable Keeper's intro. I included samples of EC Comics intros so you can get a feel for them.
As he tells our story, he is comfortably kicking back on a block of hay, chewing on a piece of wheat. He's surrounded by feral pigs/cows/horses that are all watching him nervously.
Outside, in the background or stable windows, we can see rain and a flash of lightning.
Stable Keeper - Speech Balloon - “Greetings, boars and gilts, and welcome to my fiendish freak farm! I am your terriffying teller of True Tales of Transformation, the Stable Keeper! Let's trim the fat and get right down to business, shall we? Tonight's story is one of actions and consequences. Why do we always milk the ones we love? Find out in a little hairy-tale I call...”
"UDDERLY HOPELESS" (try to do the story title in a creepy, blood-dripping font, only it's milk dripping)
Panel 1) Here, we see the cow-tipping in progress. It's nighttime, outside. The guys are charging the cow like football players, laughing their asses off. The cow has a wide-eyed paniced look. Billy is closer to us and Zack is behind him. Billy does not notice that as he's charging the cow, his phone is falling out of his pocket. In the lefthand corner of the panel, we see discarded beer bottles.
Zack - Speech Balloon - "Haha, yeah, Billy! This is gonna be great!"
Billy - Speech Balloon - "Hell yeah, Zack! Even better than last week!"
Now, you'll notice that there's a line dividing the panel. This whole panel occurs all in the same space, but the line indicates the passing of time (left side of panel happened first, right side of panel is what happened next). On the right, you will show the cow in the process of falling, mooing for its life as it goes over. You can also show that Billy's phone has bounced to the right and landed with the cow. Trace the phone's trajectory even if you want.
________
Panel 2) Here, the guys notice that the cow is dead. The cow lies lifeless on the ground. You don't need to fit the whole cow here, but enough that we can see it is dead with its tongue out. Billy is crouching down inspecting it, while Zack, standing, notices someone coming off in the distance.
Billy - Speech Balloon - "Oh shit, bro, I think we killed it."
Zack - Speech Balloon - "We better bounce, dude, I see someone coming!"
________
Panel 3) This one'll be easy. A shadowy figure has picked up Billy's phone. We really can't see much of him at all -- maybe only a little bit illuminated by the phone. He's scrolling through the phone, and he's highlighting a contact, "MOM".
Farmer - Speech Balloon - "Oh Bessy, you poor girl... You sonsabitches are gonna pay for this."
END OF PAGE 1
Page 2:
Panel 1)
[Panel Caption - Stable Master speaking - After a rather unpleasent phone call was placed, the boys found themselves back at the farm. However, they did not come by choice.]
Here, the moms have taken the boys back for an apology. They're inside the farmer's home. The boys are on the right and Barb is between them, pulling them down to her level by their ears. Maureen is standing in the middle of the panel, with her hands on her hips. The farmer is on the left and he looks very displeased, he's clutching a rather strange looking cattle prod (the agent of TF).
Barb (cigarette in mouth) - speech bubble - "Well? What do you two have to say for yourselves?"
Billy and Zack - speech bubble together in synch - "We're sorrrrrrry."
Maureen (filing her fingernails) - speech bubble - "There, see? They're real sorry. Now can we get the hell out of here?"
She's cut off by the farmer.
Farmer - speech bubble - "Ain't nobody going nowhere. You two vandals have been terrorizing my poor cows for weeks! Tonight, you finally managed to kill one of 'em and there's a price to be paid. There's a reason I had your mommas drag you back here, and it weren't for no half-assed apology."
_______
2, 3, 4 and 5) Here the farmer zaps the moms and they undergo their transformations into cows. I'll tell you how I want the process to go and you can choose which "snapshots" of it you want to show. It begins with clothed breast expansion (Maureen "O-oh... !" ; Barb "What the -- ?!" followed by their huge breasts bursting out of their shirts (just looking like two huge human breasts initially), while their pants pop open revealing the formation of udders below. As their bodies transform, I want them bursting out of their clothes, big butts and all (see "mid-tf" for an idea). I want full nudity, so there should be some juicy pussy and butthole shots in the mix. The process will culiminate in their final forms as fat cows with just their human hairdos (ref "final form"), which we will show in Panel 7.
I will also leave the dialogue up to you. During the TF process, they lose their ability to speak as humans. "Billy, help m-- MOOOOOOO -- Oh, no I -- MOOOOO". That sort of thing. We'll start translating their moos on the next page.
Again, this is the whole tf scene. You can make it a montage if you want, just make sure you hit all the right beats. ;)
_______
Panel 6) So where have the guys been in all this? Trying to not to watch. You'll notice that this smaller panel overlaps the TF panels, and it is just a headshot of the guys. They are trying to cover their eyes with their hands, but you can see that they're peaking between their fingers.
Billy - speech balloon - "Damn, bro! This is even worse than that time I walked in on her in the shower! One set of udders was enough!"
Zack - speech balloon - "Try not to look, dude! If we see our moms naked for too long, we might fall in love with them and shit! It's called an octopus complex!"
_______
Panel 7) In this scene, the transformation is complete and the guys are seeing their moms as full cows for the first time. The guys are still in shock over what has just happened but the moms are already back to being pissed off again and they look like they want to kill their sons. The moms are paired with their human sons and they're each looking at each other -- Maureen is looking at Billy and vice versa. Barb is looking at Zack and vice versa. The farmer is on the left side of the panel so he can start dialog.
Farmer - Speech Balloon - "Go on, ladies, say hello to your new stable boys!"
Maureen - speech balloon - "MOOOO!"
Barb - speech baloon - "MOOOOOO!"
Zack and Billy together - Speech Balloon - "Stable boys?!"
END OF PAGE 2
Page 3 (life as cows):
Panel 1) [Panel caption of Stable-Keeper: As the days unfolded, the boys and their mothers adjusted -- or rather, 'tried' to adjust -- to their new living arrangements.]
Here, we have our awkward milking scenes. Scene takes place in the barn. Billy is milking Maureen and he is totally weirded out by it. He kind of looks like he's wincing, grinding on his teeth as he does it. She, on the other hand, looks angry as hell.
Billy - Speech Balloon - "Theyrenotherboobstheyrenotherboobstheyrenotherboobs"
Maureen - Speech Balloon - "<*Not so hard, dammit! Those are my boobs!>"
You'll notice the < > around her dialog with the asterisk. This is of course because she's mooing (he can't understand her), but we're translating it for the readers. I guess at the bottom right corner of this panel, you'll have a small narrator box that reads *Translated From MOO”
While we'll need to continue using the < > around the cows talking, we won't need the asterisk and explanation again.
________
Panel 2) Here, we get the Zack and Barb milking. Contrast to Billy, Zack found a 'simpler' way to do the milking... for him, anyway. Zack is kicking back in a chair, his feet resting on a block of hay, arms crossed behind his head and he has a pleased grin on his face. Meanwhile, poor Barb is hooked up to a milking machine, with vacuum tubes on her teats. Zack has it turned way up so Barb looks like her whole body is vibrating/shaking from the pulsating machine, but she's still angry, of course.
Zack - Speech Balloon - "Dude, I dunno why you still do it by hand. Hook her up to the milking machine! I think my mom actually likes it."
Barb - Speech Balloon - "<Like it?! Why don't we hook a vacuum up to your nuts and you tell me if you like it, you jackass!>"
________
Panel 3) Panel 3 will be a wide shot. All the characters are outside. On the left, Billy and Zack are goofing off. One of them is daring the other one to drink the cow milk straight out of the bucket. Whoever is drinking it looks like he is about to vomit while the other one is pointing and laughing. The cows are to the right of them, angrily watching them. The cow moms are grazing, so they should each have a mouthful of grass. I would also like them to be making use of their tails by swatting flies away from their butts.
The guys have no dialogue.
Barb - speech balloon - "Look at them... Laughing. *mmph* Playing!"
Maureen - speech balloon - "While we're over here *mmph* eating grass and *mmph* swatting flies away from our goddam assholes!"
________
Panel 4) OK, the soon to be classic cowpie scene. Because this scene has a lot going on in it, I've given it its mini layout (panel3_layout).
The way everything here is positioned, the cows' fat asses are front and center. They both have their tails up, with their buttholes stretching ridiculously wide and long to accomodate the huge loads of cow dung they are pushing out.
In the foreground, we can see their disgusted faces, straining as they go to the bathroom. They both have their heads turned so they are facing each other and they are actually bickering. I have dialogue for them and I laid it out in an image for you (cows_speech). I'll still lay it out here too:
Maureen - speech balloon - "<NNNG... !>"
(insert some bathroom sound effects BRAP BLOORP, whatever you want)
Barb - speech balloon - "<Oh. That's pleasent.>"
Maureen - speech balloon - "<Screw you, Barb! Your shit stinks worse than mine does!>"
Barb - speech balloon - "<Why, I never -- >"
(insert some bathroom sound effects; make sure they are bigger than Maureen's)
Maureen - speech balloon - "<Smells like you just did.>"
OK, so we covered what's going on with the moms in this pic. As for the poor stable boys, they are tasked with cleaning up after their mothers. Shovels in hand, they are both loading the shit into boxes labeled "Free Manure". Billy is somewhat facing us, emptying the contents of his shovel into the box; Zack actually has his shovel in a cowpie.
Billy - speech balloon 1 - "Godammit, Mom! Why can't you just go when we let you out?"
Zack - speech balloon 1 - "Dude, they do it on purpose! It's like their way of getting back at us."
Billy - speech balloon 2 - "Aww fuck, bro, could this get any worse?"
________
END OF PAGE 3
Page 4 (the bulls):
Panel 1)
Caption from Stable Keeper: As the boys would soon learn, things were about to get far worse...
Here, we see the farmer gleefully speaking to his two prize bulls, who are in a barn near but separate from the moms' barn (it's to the left of it). The farmer is standing outside the barn doors, which are shut, with the bulls behind them. The bulls are just regular bulls, they're not formerly human or anything like that. I guess you should make them look menacing looking, all full of testosterone they need to get out. To the far right, Billy and Zack are peering around the corner of the barn, spying on the farmer.
Farmer - Speech Balloon - "You smell 'em, dontcha boys? Haha, my new heiffers. Don't you worry none, you're gonna have a play-date real soon."
Zack - Speech Balloon - "Dude! I am not gonna let a bull fuck my mom! We gotta do something!
Billy - Speech Balloon - "I've got an idea -- c'mon!"
________
Panel 2)
OK, so here we have Billy's big plan to let the bulls out. Zack has pulled the barn door open and he's standing behind it for protection. Billy is standing directly in front of the barn, waving a torn piece of clothing from one of the mom's. Haha, bonus if it's a torn up pair of panties and double bonus if the panties happen to be red. I'm assuming you're reading everything before you start drawing, so you can go back and make note of this on page 2, which is the only other point in the story where we should see the torn up clothing and/or panties. Anyway, so there's Billy, waving the panties like a matador. Haha, but these are domestic bulls (they're not bred for bullfighting and don't have the same instincts), so they are completely indifferent to him and sort of non-chalantly trot past him to freedom without paying him any notice.
Billy - speech balloon - "Torro! Torro! Torro!"
The farmer enters the scene, off-panel. You'll have a big, angry speech balloon coming in from the right - "FOOLS!"
________
Panel 3) In this panel, the farmer zaps Billy and we see him start his bull TF. He is in the center and the farmer is on the right side of the panel. It's fairly early on, so Billy's getting bigger, his shirt is straining and he has horns.
As for the farmer, I sort of picture him split between panels 3 and 4. One half of him is on the right side of panel 3 and the other half is on the left side of panel 4, and he's doing his hand wiggle to both characters.
Billy - speech balloon - "Oh no, bro!"
Farmer - speech balloon - "You haven't learned a damn thing!"
________
Panel 4) Reading Panel 3, I think you probably got an idea of what to expect for Panel 4. Zack gets zapped and is starting his bull TF.
Farmer - speech balloon - "You don't steal from me!"
Zack - speech baloon - "We're sorry, old dude! W-we'll round them up for you!"
________
Panel 5) This is a wide shot and everybody's going to be in it. Now, I mentioned before that the bull barn was close to the moms' barn (cow barn). Since this is a wide shot, I'd like you to sort of pan to the right so we can see the cow barn on the right, slightly in the background, with moms at the door watching what is unfolding. All the way to the left is the farmer, in the center are Billy and Zack, furthering their transformations.
The farmer looks pleased with himself. Billy is going down on all fours, he's facing away with his backside facing us. His pants are off, his tail up, so we get a butthole shot along with a shot of his long-hanging bull balls. His shirt is barely on and we can see it splitting off his broad back. Zack is still standing upright (barely), facing us, and he too is missing his pants. I like the idea that his big balls are showing and so is his sheath, which has completely enveloped his member. He's looking down at it, dumbfounded, wondering where his cock went. The moms are watching this whole scenario unfold and they are shocked.
Farmer - speech balloon - "No need, fool. I got me two new bulls right here."
Billy - speech balloon - "ARRRGH!!!!"
Zack - speech balloon - "My cock -- !"
Maureen - speech balloon 1 - "<What the hell am I looking at?>"
Barb - speech balloon 1 - "<Oh, just the boys being transformed into bulls.>"
Maureen - speech balloon 2 - "<We are so screwed!>"
Barb - speech balloon 2 - "<I hate to say it, Maureen, but I think that's the point...>"
________
6) In panel 6, the guys are completely transformed. Side by side, staring at each other, as the farmer gleefully and wickedly looks at them. Farmer on the left, bulls on the right.
Farmer - speech balloon - "Well, I'll be damned... Good structure and frame... beautiful muscling pattern... you two are a pair o' studs! Perfect breeding material. Now let's get to work!"
Zack - speech balloon - "<Oh shit, dude...>"
Billy - speech balloon - "<Looks like our moms are getting fucked by bulls after all. Namely... us!.>"
________
7) In this panel, the farmer is forcing the bulls into the moms' barn. I don't care which one goes in first, but whichever one is second has to be getting his butt zapped by the farmer's cattle prod (in this scene, it just emitting electricity like a regular prod).
Farmer - "Get your ass in there!"
bull getting zapped - "<Oww! That hurt, you dick!>"
END OF PAGE 4
Page 5 (mating scene and birth):
Panel 1)
Caption from Stable-Keeper - Having taken the place of the bulls they had let loose, Billy and Zack were about to let loose in a much different way.
The bulls are now in the barn to do you know what with you know who. In Panel 1, we have Zack coming in from the left side of the panel, with Maureen's butt sticking out from the right side of the panel. His head/face is right near to her backside. Her tail is up, her pussy and butthole are exposed, and he's taking a good whiff of her naughty bits. While the whole situation should be grossing him out, the pheromones are taking effect and he is becoming aroused. It would make sense to show his long, skinny, bull member sliding out of his sheath. As for his face, he has a dumb-looking smile with dreamy eyes; he almost looks high.
Zack - "<Whoa, dude, I can't believe I'm saying this, but your mom smells awesome. I am soooo freakin' horny!>"
________
Panel 2) Panel 2 is pretty much the exact same thing, only with Billy and Barb. To keep the page balanced, I'd have Barb's butt sticking out from the left and Billy coming in from the right. Also, to change things up, maybe his tongue is out, and he's licking her pussy.
Billy - speech balloon - "<I know, bro. Kinda gives a whole new meaning to the phrase 'hamburger pussy.' Hahaha!">
________
Panel 3) Panel 3 is our big "sex scene", which is really pretty tame. All the characters are facing us. The cows are on all-fours, the bulls are on two legs, mounting them from behind and sort of hunched over on top of them. Zack and Billy are on the left and Billy and Barb are on the right. The guys look pretty happy, pounding away at the moms -- they're so out of touch with how fucked up this is, they would almost be high-fiving each other if they could. Maureen has a serious looking orgasm face -- eyes widened, mouth open. Barb has kind of "an evil" smile going on, her eyebrows are narrowed, but you see a big happy grin on her face, barking commands at her stud.
Maureen - speech balloon - "<Oh my God! S-so deep... It must be three feet long! Oh fuck! Oh fuck! Ohhhhhhhhh fuuuuuuuuuuuuuuuuck!!!>"
Zack - speech balloon - "<Mrs. C! You just nutted all over my cock! That's so hot! I-I think I'm about to return the favor!>"
Barb - speech balloon - <"I haven't been fucked this good in 20 years! Harder, you little fucker! Faster! Empty every last drop of those big bull balls into my nasty cow pussy!">
Billy - speech balloon - <"K-keep talking dirty to me, Mrs. S! You're a dirty c-cow whore!">
The only thing I think you might want to add to panel 3 is some kind of overlay shots showing the bulls inserting their members into the females. Just cock-going-into-pussy shots. Your call.
________
Panel 4) Panel 4 is our money shot. If we were filming this, imagine the camera is on the floor directly behind the them. We'd see each characters' hooves and just a tiny bit of their legs. Now, in between their legs, I'd like you to show excess bull semen splattering down onto the ground ("x" marks the spot; see panel_4.jpg). Of course, you can do sound effects like "SPLRRT!" and "SPUNK!"
________
Panel 5)
Caption from Stable-Keeper - Nine months later, nature had worked its magic...
Panel 5 is the birth scene. We've already broken so much ground, let's keep it going! So here, the moms are on the right side of the panel, giving birth, calves coming out of them, as the guys watch, from the left. The women are just grunting and moaning (haha, they thought giving birth to humans was hard) so no dialogue needs to be written. The guys, quite comically, are emotional and teary-eyed.
Billy - speech balloon 1 - <"Wow dude, we're gonna be fathers...">
Zack - speech balloon 1 - <"I know, bro. It's kinda weird... I always thought of you as a 'bro', but now you are more like a 'stepson' since I fucked your mom and our calf is your half-sister.">
Billy - speech balloon 1 - <"Damn, dude, you just blew my mind. But doesn't that make me your stepdad too?">
_________
Panel 6)
This is the ending with the closing quip from the Stable-Keeper. We can see him once again. Maybe he's standing up, leaning against the side of a barn, watching our cows/bulls. He is still chewing on the wheatsheaf and he has a wicked grin. However, even if he is in the scene, please separate this panel from panel 5 for effect. Like he's there but they can't see him.
Speech Balloon - "Well there you have it -- one oddly disturbing yet happy family. Until the slaughterhouse, that is! Since one good 'tip' deserves another, here's a 'tip' for you, dear readers. The next time you go cow-tipping, be sure to leave your cellphone at home. After all, you wouldn't want your mother to have a cow! Hahahahahahah!"
END
I had a request from someone to post one of my scripts. Specifically, True Tales of Transformation #1. By far one of the craziest scripts I ever produced.
I mainly “learned” how to write scripts from “Alan Moore’s ‘Writing For Comics.’” In the real world, I think most artists hate working this way. However, in our world, I think commissioned artists appreciate someone that can tell them what they want versus someone who can only tell them what they don’t want. That said, Bubbeh and PinklePickle are fucking saints for putting up with me.
So without further adieu, here is the script for True Tales of Transformation #1. I had the idea for issue #2 with Bubbeh but I pussed out. Maybe someday… Here we go.
Script
Page 1:
Intro) The upper part of the page is completely devoted to the Stable Keeper's intro. I included samples of EC Comics intros so you can get a feel for them.
As he tells our story, he is comfortably kicking back on a block of hay, chewing on a piece of wheat. He's surrounded by feral pigs/cows/horses that are all watching him nervously.
Outside, in the background or stable windows, we can see rain and a flash of lightning.
Stable Keeper - Speech Balloon - “Greetings, boars and gilts, and welcome to my fiendish freak farm! I am your terriffying teller of True Tales of Transformation, the Stable Keeper! Let's trim the fat and get right down to business, shall we? Tonight's story is one of actions and consequences. Why do we always milk the ones we love? Find out in a little hairy-tale I call...”
"UDDERLY HOPELESS" (try to do the story title in a creepy, blood-dripping font, only it's milk dripping)
Panel 1) Here, we see the cow-tipping in progress. It's nighttime, outside. The guys are charging the cow like football players, laughing their asses off. The cow has a wide-eyed paniced look. Billy is closer to us and Zack is behind him. Billy does not notice that as he's charging the cow, his phone is falling out of his pocket. In the lefthand corner of the panel, we see discarded beer bottles.
Zack - Speech Balloon - "Haha, yeah, Billy! This is gonna be great!"
Billy - Speech Balloon - "Hell yeah, Zack! Even better than last week!"
Now, you'll notice that there's a line dividing the panel. This whole panel occurs all in the same space, but the line indicates the passing of time (left side of panel happened first, right side of panel is what happened next). On the right, you will show the cow in the process of falling, mooing for its life as it goes over. You can also show that Billy's phone has bounced to the right and landed with the cow. Trace the phone's trajectory even if you want.
________
Panel 2) Here, the guys notice that the cow is dead. The cow lies lifeless on the ground. You don't need to fit the whole cow here, but enough that we can see it is dead with its tongue out. Billy is crouching down inspecting it, while Zack, standing, notices someone coming off in the distance.
Billy - Speech Balloon - "Oh shit, bro, I think we killed it."
Zack - Speech Balloon - "We better bounce, dude, I see someone coming!"
________
Panel 3) This one'll be easy. A shadowy figure has picked up Billy's phone. We really can't see much of him at all -- maybe only a little bit illuminated by the phone. He's scrolling through the phone, and he's highlighting a contact, "MOM".
Farmer - Speech Balloon - "Oh Bessy, you poor girl... You sonsabitches are gonna pay for this."
END OF PAGE 1
Page 2:
Panel 1)
[Panel Caption - Stable Master speaking - After a rather unpleasent phone call was placed, the boys found themselves back at the farm. However, they did not come by choice.]
Here, the moms have taken the boys back for an apology. They're inside the farmer's home. The boys are on the right and Barb is between them, pulling them down to her level by their ears. Maureen is standing in the middle of the panel, with her hands on her hips. The farmer is on the left and he looks very displeased, he's clutching a rather strange looking cattle prod (the agent of TF).
Barb (cigarette in mouth) - speech bubble - "Well? What do you two have to say for yourselves?"
Billy and Zack - speech bubble together in synch - "We're sorrrrrrry."
Maureen (filing her fingernails) - speech bubble - "There, see? They're real sorry. Now can we get the hell out of here?"
She's cut off by the farmer.
Farmer - speech bubble - "Ain't nobody going nowhere. You two vandals have been terrorizing my poor cows for weeks! Tonight, you finally managed to kill one of 'em and there's a price to be paid. There's a reason I had your mommas drag you back here, and it weren't for no half-assed apology."
_______
2, 3, 4 and 5) Here the farmer zaps the moms and they undergo their transformations into cows. I'll tell you how I want the process to go and you can choose which "snapshots" of it you want to show. It begins with clothed breast expansion (Maureen "O-oh... !" ; Barb "What the -- ?!" followed by their huge breasts bursting out of their shirts (just looking like two huge human breasts initially), while their pants pop open revealing the formation of udders below. As their bodies transform, I want them bursting out of their clothes, big butts and all (see "mid-tf" for an idea). I want full nudity, so there should be some juicy pussy and butthole shots in the mix. The process will culiminate in their final forms as fat cows with just their human hairdos (ref "final form"), which we will show in Panel 7.
I will also leave the dialogue up to you. During the TF process, they lose their ability to speak as humans. "Billy, help m-- MOOOOOOO -- Oh, no I -- MOOOOO". That sort of thing. We'll start translating their moos on the next page.
Again, this is the whole tf scene. You can make it a montage if you want, just make sure you hit all the right beats. ;)
_______
Panel 6) So where have the guys been in all this? Trying to not to watch. You'll notice that this smaller panel overlaps the TF panels, and it is just a headshot of the guys. They are trying to cover their eyes with their hands, but you can see that they're peaking between their fingers.
Billy - speech balloon - "Damn, bro! This is even worse than that time I walked in on her in the shower! One set of udders was enough!"
Zack - speech balloon - "Try not to look, dude! If we see our moms naked for too long, we might fall in love with them and shit! It's called an octopus complex!"
_______
Panel 7) In this scene, the transformation is complete and the guys are seeing their moms as full cows for the first time. The guys are still in shock over what has just happened but the moms are already back to being pissed off again and they look like they want to kill their sons. The moms are paired with their human sons and they're each looking at each other -- Maureen is looking at Billy and vice versa. Barb is looking at Zack and vice versa. The farmer is on the left side of the panel so he can start dialog.
Farmer - Speech Balloon - "Go on, ladies, say hello to your new stable boys!"
Maureen - speech balloon - "MOOOO!"
Barb - speech baloon - "MOOOOOO!"
Zack and Billy together - Speech Balloon - "Stable boys?!"
END OF PAGE 2
Page 3 (life as cows):
Panel 1) [Panel caption of Stable-Keeper: As the days unfolded, the boys and their mothers adjusted -- or rather, 'tried' to adjust -- to their new living arrangements.]
Here, we have our awkward milking scenes. Scene takes place in the barn. Billy is milking Maureen and he is totally weirded out by it. He kind of looks like he's wincing, grinding on his teeth as he does it. She, on the other hand, looks angry as hell.
Billy - Speech Balloon - "Theyrenotherboobstheyrenotherboobstheyrenotherboobs"
Maureen - Speech Balloon - "<*Not so hard, dammit! Those are my boobs!>"
You'll notice the < > around her dialog with the asterisk. This is of course because she's mooing (he can't understand her), but we're translating it for the readers. I guess at the bottom right corner of this panel, you'll have a small narrator box that reads *Translated From MOO”
While we'll need to continue using the < > around the cows talking, we won't need the asterisk and explanation again.
________
Panel 2) Here, we get the Zack and Barb milking. Contrast to Billy, Zack found a 'simpler' way to do the milking... for him, anyway. Zack is kicking back in a chair, his feet resting on a block of hay, arms crossed behind his head and he has a pleased grin on his face. Meanwhile, poor Barb is hooked up to a milking machine, with vacuum tubes on her teats. Zack has it turned way up so Barb looks like her whole body is vibrating/shaking from the pulsating machine, but she's still angry, of course.
Zack - Speech Balloon - "Dude, I dunno why you still do it by hand. Hook her up to the milking machine! I think my mom actually likes it."
Barb - Speech Balloon - "<Like it?! Why don't we hook a vacuum up to your nuts and you tell me if you like it, you jackass!>"
________
Panel 3) Panel 3 will be a wide shot. All the characters are outside. On the left, Billy and Zack are goofing off. One of them is daring the other one to drink the cow milk straight out of the bucket. Whoever is drinking it looks like he is about to vomit while the other one is pointing and laughing. The cows are to the right of them, angrily watching them. The cow moms are grazing, so they should each have a mouthful of grass. I would also like them to be making use of their tails by swatting flies away from their butts.
The guys have no dialogue.
Barb - speech balloon - "Look at them... Laughing. *mmph* Playing!"
Maureen - speech balloon - "While we're over here *mmph* eating grass and *mmph* swatting flies away from our goddam assholes!"
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Panel 4) OK, the soon to be classic cowpie scene. Because this scene has a lot going on in it, I've given it its mini layout (panel3_layout).
The way everything here is positioned, the cows' fat asses are front and center. They both have their tails up, with their buttholes stretching ridiculously wide and long to accomodate the huge loads of cow dung they are pushing out.
In the foreground, we can see their disgusted faces, straining as they go to the bathroom. They both have their heads turned so they are facing each other and they are actually bickering. I have dialogue for them and I laid it out in an image for you (cows_speech). I'll still lay it out here too:
Maureen - speech balloon - "<NNNG... !>"
(insert some bathroom sound effects BRAP BLOORP, whatever you want)
Barb - speech balloon - "<Oh. That's pleasent.>"
Maureen - speech balloon - "<Screw you, Barb! Your shit stinks worse than mine does!>"
Barb - speech balloon - "<Why, I never -- >"
(insert some bathroom sound effects; make sure they are bigger than Maureen's)
Maureen - speech balloon - "<Smells like you just did.>"
OK, so we covered what's going on with the moms in this pic. As for the poor stable boys, they are tasked with cleaning up after their mothers. Shovels in hand, they are both loading the shit into boxes labeled "Free Manure". Billy is somewhat facing us, emptying the contents of his shovel into the box; Zack actually has his shovel in a cowpie.
Billy - speech balloon 1 - "Godammit, Mom! Why can't you just go when we let you out?"
Zack - speech balloon 1 - "Dude, they do it on purpose! It's like their way of getting back at us."
Billy - speech balloon 2 - "Aww fuck, bro, could this get any worse?"
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END OF PAGE 3
Page 4 (the bulls):
Panel 1)
Caption from Stable Keeper: As the boys would soon learn, things were about to get far worse...
Here, we see the farmer gleefully speaking to his two prize bulls, who are in a barn near but separate from the moms' barn (it's to the left of it). The farmer is standing outside the barn doors, which are shut, with the bulls behind them. The bulls are just regular bulls, they're not formerly human or anything like that. I guess you should make them look menacing looking, all full of testosterone they need to get out. To the far right, Billy and Zack are peering around the corner of the barn, spying on the farmer.
Farmer - Speech Balloon - "You smell 'em, dontcha boys? Haha, my new heiffers. Don't you worry none, you're gonna have a play-date real soon."
Zack - Speech Balloon - "Dude! I am not gonna let a bull fuck my mom! We gotta do something!
Billy - Speech Balloon - "I've got an idea -- c'mon!"
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Panel 2)
OK, so here we have Billy's big plan to let the bulls out. Zack has pulled the barn door open and he's standing behind it for protection. Billy is standing directly in front of the barn, waving a torn piece of clothing from one of the mom's. Haha, bonus if it's a torn up pair of panties and double bonus if the panties happen to be red. I'm assuming you're reading everything before you start drawing, so you can go back and make note of this on page 2, which is the only other point in the story where we should see the torn up clothing and/or panties. Anyway, so there's Billy, waving the panties like a matador. Haha, but these are domestic bulls (they're not bred for bullfighting and don't have the same instincts), so they are completely indifferent to him and sort of non-chalantly trot past him to freedom without paying him any notice.
Billy - speech balloon - "Torro! Torro! Torro!"
The farmer enters the scene, off-panel. You'll have a big, angry speech balloon coming in from the right - "FOOLS!"
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Panel 3) In this panel, the farmer zaps Billy and we see him start his bull TF. He is in the center and the farmer is on the right side of the panel. It's fairly early on, so Billy's getting bigger, his shirt is straining and he has horns.
As for the farmer, I sort of picture him split between panels 3 and 4. One half of him is on the right side of panel 3 and the other half is on the left side of panel 4, and he's doing his hand wiggle to both characters.
Billy - speech balloon - "Oh no, bro!"
Farmer - speech balloon - "You haven't learned a damn thing!"
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Panel 4) Reading Panel 3, I think you probably got an idea of what to expect for Panel 4. Zack gets zapped and is starting his bull TF.
Farmer - speech balloon - "You don't steal from me!"
Zack - speech baloon - "We're sorry, old dude! W-we'll round them up for you!"
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Panel 5) This is a wide shot and everybody's going to be in it. Now, I mentioned before that the bull barn was close to the moms' barn (cow barn). Since this is a wide shot, I'd like you to sort of pan to the right so we can see the cow barn on the right, slightly in the background, with moms at the door watching what is unfolding. All the way to the left is the farmer, in the center are Billy and Zack, furthering their transformations.
The farmer looks pleased with himself. Billy is going down on all fours, he's facing away with his backside facing us. His pants are off, his tail up, so we get a butthole shot along with a shot of his long-hanging bull balls. His shirt is barely on and we can see it splitting off his broad back. Zack is still standing upright (barely), facing us, and he too is missing his pants. I like the idea that his big balls are showing and so is his sheath, which has completely enveloped his member. He's looking down at it, dumbfounded, wondering where his cock went. The moms are watching this whole scenario unfold and they are shocked.
Farmer - speech balloon - "No need, fool. I got me two new bulls right here."
Billy - speech balloon - "ARRRGH!!!!"
Zack - speech balloon - "My cock -- !"
Maureen - speech balloon 1 - "<What the hell am I looking at?>"
Barb - speech balloon 1 - "<Oh, just the boys being transformed into bulls.>"
Maureen - speech balloon 2 - "<We are so screwed!>"
Barb - speech balloon 2 - "<I hate to say it, Maureen, but I think that's the point...>"
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6) In panel 6, the guys are completely transformed. Side by side, staring at each other, as the farmer gleefully and wickedly looks at them. Farmer on the left, bulls on the right.
Farmer - speech balloon - "Well, I'll be damned... Good structure and frame... beautiful muscling pattern... you two are a pair o' studs! Perfect breeding material. Now let's get to work!"
Zack - speech balloon - "<Oh shit, dude...>"
Billy - speech balloon - "<Looks like our moms are getting fucked by bulls after all. Namely... us!.>"
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7) In this panel, the farmer is forcing the bulls into the moms' barn. I don't care which one goes in first, but whichever one is second has to be getting his butt zapped by the farmer's cattle prod (in this scene, it just emitting electricity like a regular prod).
Farmer - "Get your ass in there!"
bull getting zapped - "<Oww! That hurt, you dick!>"
END OF PAGE 4
Page 5 (mating scene and birth):
Panel 1)
Caption from Stable-Keeper - Having taken the place of the bulls they had let loose, Billy and Zack were about to let loose in a much different way.
The bulls are now in the barn to do you know what with you know who. In Panel 1, we have Zack coming in from the left side of the panel, with Maureen's butt sticking out from the right side of the panel. His head/face is right near to her backside. Her tail is up, her pussy and butthole are exposed, and he's taking a good whiff of her naughty bits. While the whole situation should be grossing him out, the pheromones are taking effect and he is becoming aroused. It would make sense to show his long, skinny, bull member sliding out of his sheath. As for his face, he has a dumb-looking smile with dreamy eyes; he almost looks high.
Zack - "<Whoa, dude, I can't believe I'm saying this, but your mom smells awesome. I am soooo freakin' horny!>"
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Panel 2) Panel 2 is pretty much the exact same thing, only with Billy and Barb. To keep the page balanced, I'd have Barb's butt sticking out from the left and Billy coming in from the right. Also, to change things up, maybe his tongue is out, and he's licking her pussy.
Billy - speech balloon - "<I know, bro. Kinda gives a whole new meaning to the phrase 'hamburger pussy.' Hahaha!">
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Panel 3) Panel 3 is our big "sex scene", which is really pretty tame. All the characters are facing us. The cows are on all-fours, the bulls are on two legs, mounting them from behind and sort of hunched over on top of them. Zack and Billy are on the left and Billy and Barb are on the right. The guys look pretty happy, pounding away at the moms -- they're so out of touch with how fucked up this is, they would almost be high-fiving each other if they could. Maureen has a serious looking orgasm face -- eyes widened, mouth open. Barb has kind of "an evil" smile going on, her eyebrows are narrowed, but you see a big happy grin on her face, barking commands at her stud.
Maureen - speech balloon - "<Oh my God! S-so deep... It must be three feet long! Oh fuck! Oh fuck! Ohhhhhhhhh fuuuuuuuuuuuuuuuuck!!!>"
Zack - speech balloon - "<Mrs. C! You just nutted all over my cock! That's so hot! I-I think I'm about to return the favor!>"
Barb - speech balloon - <"I haven't been fucked this good in 20 years! Harder, you little fucker! Faster! Empty every last drop of those big bull balls into my nasty cow pussy!">
Billy - speech balloon - <"K-keep talking dirty to me, Mrs. S! You're a dirty c-cow whore!">
The only thing I think you might want to add to panel 3 is some kind of overlay shots showing the bulls inserting their members into the females. Just cock-going-into-pussy shots. Your call.
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Panel 4) Panel 4 is our money shot. If we were filming this, imagine the camera is on the floor directly behind the them. We'd see each characters' hooves and just a tiny bit of their legs. Now, in between their legs, I'd like you to show excess bull semen splattering down onto the ground ("x" marks the spot; see panel_4.jpg). Of course, you can do sound effects like "SPLRRT!" and "SPUNK!"
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Panel 5)
Caption from Stable-Keeper - Nine months later, nature had worked its magic...
Panel 5 is the birth scene. We've already broken so much ground, let's keep it going! So here, the moms are on the right side of the panel, giving birth, calves coming out of them, as the guys watch, from the left. The women are just grunting and moaning (haha, they thought giving birth to humans was hard) so no dialogue needs to be written. The guys, quite comically, are emotional and teary-eyed.
Billy - speech balloon 1 - <"Wow dude, we're gonna be fathers...">
Zack - speech balloon 1 - <"I know, bro. It's kinda weird... I always thought of you as a 'bro', but now you are more like a 'stepson' since I fucked your mom and our calf is your half-sister.">
Billy - speech balloon 1 - <"Damn, dude, you just blew my mind. But doesn't that make me your stepdad too?">
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Panel 6)
This is the ending with the closing quip from the Stable-Keeper. We can see him once again. Maybe he's standing up, leaning against the side of a barn, watching our cows/bulls. He is still chewing on the wheatsheaf and he has a wicked grin. However, even if he is in the scene, please separate this panel from panel 5 for effect. Like he's there but they can't see him.
Speech Balloon - "Well there you have it -- one oddly disturbing yet happy family. Until the slaughterhouse, that is! Since one good 'tip' deserves another, here's a 'tip' for you, dear readers. The next time you go cow-tipping, be sure to leave your cellphone at home. After all, you wouldn't want your mother to have a cow! Hahahahahahah!"
END
