commission questions for you!
10 months ago
Hey, everyone!
A few people have asked if I'll open up for actual commissions. I do want to open commissions, but I'm very nervous about it. I make YCH things because it's like "well I know I can draw this! And the person can't be too disappointed if they basically know what it is beforehand!"
Even then, I get so worried that the final image doesn't look good enough. I've wanted to refund several people already!! I might still!
I'm afraid of agreeing to draw something but then it's too difficult for me/my skill level. Lmao, that's why I'm more comfortable just drawing gifts, because people can't be too disappointed.
Does anyone have any advice?
Also, pricing. On the one hand, I think perhaps maybe I set mine too high. But on the other hand, I have to be careful about taking on too much (I have a day job and don't want to hurt my arm/hand).
But also, I think many people are having a hard time getting customers lately, does that seem like the case to everyone else? People who are extremely skilled will have YCH/slots untaken and I'm like "wow, really?!? But their work is so good?!?"
Is the furry/art economy bad right now?
A few people have asked if I'll open up for actual commissions. I do want to open commissions, but I'm very nervous about it. I make YCH things because it's like "well I know I can draw this! And the person can't be too disappointed if they basically know what it is beforehand!"
Even then, I get so worried that the final image doesn't look good enough. I've wanted to refund several people already!! I might still!
I'm afraid of agreeing to draw something but then it's too difficult for me/my skill level. Lmao, that's why I'm more comfortable just drawing gifts, because people can't be too disappointed.
Does anyone have any advice?
Also, pricing. On the one hand, I think perhaps maybe I set mine too high. But on the other hand, I have to be careful about taking on too much (I have a day job and don't want to hurt my arm/hand).
But also, I think many people are having a hard time getting customers lately, does that seem like the case to everyone else? People who are extremely skilled will have YCH/slots untaken and I'm like "wow, really?!? But their work is so good?!?"
Is the furry/art economy bad right now?
On the other hand, it can also be quite helpful to try and carefully step out of your comfort zone every now and then. Maybe you could take the approach of making a super rough pose sketch of a commission first before accepting payment to see if you are able to fulfill the order. If not, then nothing is lost.
But of course, if you would rather stick to ychs that is perfectly fine as well!
As for pricing, that has always been a tricky topic. From my experience, an artist's popularity/renown often plays an equal - if not higher - factor than the quality of the art when it comes to what people are willing to pay. Similar to the themes that people are interested in. People tend to chase current trends/fads/memes/etc. so even high quality ychs that do not fall under that current trend might end up not selling.
Is the economy bad? Hard to tell. It feels to me like the art budget of people tends to vary extremely. I spend quite a bit on art when I can, but compared to some of the big spenders here, that feels like chump change, haha.
In the end, art is an individually created non-essential product, so there's no hard and fast rule how much exactly it should cost. It is up to each artist to figure out their comfort zone between not underselling and charging what they are worth.
Now, regarding pricing—it’s definitely a tricky topic. Quality art absolutely deserves its price, much like any other high-quality product or service. From my own experience, I often have to pass on YCHs or commissions I’d love to purchase simply because they’re out of my budget. Many artists set their prices at $100 or more, which is entirely fair considering the time, effort, and skill involved. However, with the current economy, affordability can be a real challenge for many. It’s a tough balance between valuing the artist’s worth and finding a sustainable price point for clients. It raises the question: is it better to charge less and get more frequent commissions, or to charge more and cater to a smaller audience?