Question to fellow artists: how do you keep your artstyle...
11 months ago
Meow!
Some reviews of my artwork made me think: if my art style changes so often, do I even have an art identity?
How can I develop a persistent artstyle and enjoy it thoughout YEARS?
So I want to ask those who manage to maintain consistent proportions in the faces and bodies of their characters, the style of shadows, and the color palette for years: how do you do it?
Personally, my stylistic approach depends quite heavily on my inspiration, and my palette is influenced by my mood. Even the design of many of my characters is so often updated!
Drawing in the same style for years feels impossible (and quite boring). So I would love to hear your thoughts and experiences concerning this!
How can I develop a persistent artstyle and enjoy it thoughout YEARS?
So I want to ask those who manage to maintain consistent proportions in the faces and bodies of their characters, the style of shadows, and the color palette for years: how do you do it?
Personally, my stylistic approach depends quite heavily on my inspiration, and my palette is influenced by my mood. Even the design of many of my characters is so often updated!
Drawing in the same style for years feels impossible (and quite boring). So I would love to hear your thoughts and experiences concerning this!
FA+

~Brynn
Things can change bit by bit, but there's still the original essence.
Something I evolved a lot year after year is the way I draw the eyes. They are different, but still showing it was my style.
It's ok experiment new things from time to time, maybe you find something you like and can add to your artstyle.
Don't be scared of changes, just keep going.
Since I embrace mistakes, that's also not necessarily either a good thing or a bad thing. Art is a process.
Sometimes I make (subjectively) really nice art, sometimes I make dog puke.
It's difficult because of many factors and "just practice" doesn't make a big difference.
Keep doing what you do, don't worry so much, and if you prefer, put "bad art" on a redraw list for a few weeks or months later. ✌️
This also happens with artists who work at jobs where they have to follow style guides, or have to be very versatile. I did this for many years and felt it left me with a lot of versatility and adaptability but a very generic, nothing personal style. But other artists I speak to about this think I have a distinct style that they can differentiate from others.
while it's less marketable, if it makes you feel any better, "work horse" artists who vary their art and try out different things are basically impossible for AI to reproduce.
And when I look at other artists' galleries, including yours, I see the same I'd say. Yes, your art evolves over the years, but there still are things about it that are clearly recognisable as your art!
Also, updating character designs isn't a bad thing either and I wouldn't say it directly ties into an "art identity". Tweaking a character's look for whatever reason is just as valid as keeping their design the same!
like do a sketch page of eyes, or do a page of faces, or do a figure study.
your style is a combination of how you draw specific features, how you line your work, how you color it and render shading and how you smooth colors. is it flat color, do you shade, do you use thick lines, thin lines or no lines? realistic? cartoony? a mix?
How do you WANT your style to look? Start there.
(For reals. I've been trying to be consistent for years! Art has room for improvement ,always).
I know many artists will have a style specifically for comic work which simplifies their primary style.
Looking through gallery, the most consistent part to your style is your anatomy, but that is also the most structured part of the piece usually, so it is not uncommon for that to be more consistent. But the faces are where most of your style comes out.
I think why your style seems inconsistent is your method of linework and coloring. This is what shifts most from piece to piece. sometimes your shading is more flat and gradated while other times it defines the forms of the objects present in the piece.
I think the two pieces that illustrate this most are these two:
https://www.furaffinity.net/view/57476937/
https://www.furaffinity.net/view/58464006/
The former feeling like it is leaning more into the semi-realism side of lighting and coloring, and the latter feels more flat and atmospheric, with only basic use of shadows to show light direction, but not actually defining the forms. It feels more like a page you find in a short comic strip that needed to be done more quickly while still keeping a certain level of quality
Overall it is good that you have multiple styles, but I think the other issue is you might not be consciously thinking about how and when you are using your various coloring methods, so it might be a more 'gut feeling' or letting other factors decide these points for you. You can work on intentionally trying to do paint/draw the same object in the various styles do you can more consciously of using them. So that you can CHOOSE to do a piece in said style over just letting it happen.
I hope that is a fair assessment of what you are asking.
Take someone like
Where in the case of
And being able to work in multiple styles I always a good thing, it is a matter of if you can execute them intentionally.
As for me, I think my art style is the way it is because I tend to be more of an art factory than a true artist. I work in volume over quality, so improvements are done over many, many iterations and tend to come slowly because my focus is on output. Not that I don't want to improve or anything, but it's slower because it's not my primary goal with art; it's more of a secondary goal. So people can identify my stuff easily because there's not a whole lot of experimentation outside of animation things, where I DO focus heavily on improvement.
An artist should experiment with his style. In the same way, I can't establish a certain style. The faces of the characters almost always have some kind of different proportions.
The replies here are giving me mixed messages. What if I want another artist's style?
So i wouldn't fret too much and just keep improving and trying new things to see what to add to your skills arsenal. Your stuff is always really good even with imperfections though i think those flaws make it feel more genuine.
Speaking for myself, I just try to stay 90% or so in my comfort zone and experiment 10% of almost every piece I make. My experiments might be a slightly different technique in shading or a different brush, for example. One could say I aim for constant yet slow-ish improvement. Fixing issues with anatomy I don't count as experiments, though.
Making an art style remain the same pretty much forever is hard unless you have a solid ruleset for it. Long periods of constant style are normal if you find the sweet spot, but it might change - sometimes very quickly. Perhaps finding the constant(-ish) art style is more about finding the optimal core workflow and approach?
So it's not a matter of consistency because that means stagnation. Your style changes because you change, you're constantly refining, iterating, learning and expanding.
That's why I dislike the concept of perfection. If something is perfect then it's unchangeable and that makes it boring (that's why I also learned to love and laugh at my drawing goofs, sometimes I even upload them because I find them funny).
From what I discovered "studying" art is that most artist evolve. There are details in pictures that are received well (cute snout, tail shape, picture) and then I can see the artist iterate on that detail, that then grows into a style.
I don't have this style yet as I'm quite incompetent, but I feel the most fun of discovering styles is to draw new things. For me right now is experimenting with poses and merging animal/human features in ratios and discovering, seeing how artist develop this topic, and then finally how well can I draw my take. It's the learning that's fun for me and the fact that you have something to show for the effort is just so nice :)
I've been drawing a little but I already feel the need to shake things up, so I can understand how boring it might get if you just use one art style for years. Also the pressure of some of your fans just having you associated with that art style can be quite stressful ... but I think that true fans want to see you grow and as long as you're enjoying what you're doing, the art will reflect it ^w^
I'm your big fan and you are one of the reasons why I'm drawing today! Thank you and if you're interested in seeing my year progress feel free to DM me on discord anyone kunblu
I don't think one's style is based on the little specifics. I think those are part of it, sure. But I think it's how that all comes together that notes what your style is. It's more the feel of the whole image.
That said, I'm also pretty bad at picking up specific art. I know there's people like my mate who can see an image and immediately tell what artist made it. (And sometimes who or what they were influenced by). I'm not that, shall we say, educated or aware enough for that?
But I think the better question is how do you define art style and art identity. What does that mean to you? Is this something you value about your art and why. I think those questions may end up being more helpful, at least on some level.
There's nothing wrong with seeing the evolution of your work over time. Don't listen to those that criticize you for your growth and improvements. You don't owe anyone or have to justify anything, it's YOUR work that you are sharing.
Explore, experiment and have fun :>
Apart from that; muscle memory and repetition over Time. You'll want a certain look for things and will keep leaning towards it.
Not the biggest artist; but my style stays the same with minor improvements over Time
The only time it annoys me to see an artist change their style is when it is an obviously just them being lazy.
It's one of the reasons why I love Art Fight so much. Seeing all those character designs always inspires me to draw them in styles that are unusual for me. At the end of the day, there will always be little details and quirks that are unable to get 'lost in translation', such as specific ways of shading or color palettes, but it's all about creating an artwork you can be proud of, right?
There's nothing wrong with play, experimenting, and trying different things. I really like when artists do that. I don't see much benefit to being too predictable. I value artists with an active and inquisitive mind who aren't afraid to challenge themselves with new things.
I mean technically if you want to try keeping studio-like consistency you could always make style guides, model sheets/turns, breakdowns, palettes, etc to keep on hand and reference every time you draw.
But I think artist "eras" are something fun to watch evolve over time and they're a good way to look back at your past works and either see how far you've come or what methods you liked the best.
As artists we tie our identity to our work, but maybe we shouldn't think about it too hard. Art's supposed to be fun and you're supposed to try new things, if you didn't ever change you'd never learn or experience anything more and it would get boring.
That said, I don't think that's something you should worry about. Art is expression. It's a part of who you are. Everyone has their way, and sometimes that changes. Almost everyone's art grows and changes, even if just in small ways, over time. It's natural. Yeah, some people will not like that. But, that can't be helped. If you try to stay the same, there will be people that don't like that, too. I don't think it is a good thing to force yourself into a style, it may result in a decline and/or stagnation of not just the quality of your art, but your enjoyment of it.
Grow. Experiment. Change. Let the art be as fluid as you are as a living, breathing, growing, changing person.
Personally, I wouldn't focus so much on maintaining style but rather quality. If you take a look at my gallery, you'll see that I do a wide variety of styles -- everything ranging from realistic and painterly to pieces that are very toony and simple. If anything, I'd argue that it's much better to be more well-rounded by having the ability to work in a variety of styles.
Don't worry. the Your style is just whatever you enjoy/feel the most comfortable with.
Just try things out and then just adapt to what you enjoy the most
though to leave some salt to take to judge my personal thoughts: I have how I'd like to draw, and I have a style for more efficiency... both come out terrible. So... I don't have a style... because that'd assume I could draw.
Oh, and eyes change a lot too 😬
Drastic changes regularly are something to pay attention to and work on because perhaps you are being too heavily influenced, but some artists are able to spontaneously switch between a couple of styles. Anthro, anime, US comic and chibi or SD styles for example.
There's always going to be people who prefer a particular style, and some artists who are happy maintaining a very uniform style ... But if an artist wants to step out of a box and try new things or incorporate changes that may better affect their time, happiness and /or quality? There's no problem with any of that.
Styles change constantly in fashion. Art can too.
I have a huge shift in some of my art style over the years but I routinely get comments about certain quirks that persist and people recognize. That makes it worth it.
I've recently felt stagnant with my own style and was a little jealous of "ten years ago" me's art style and how it almost felt like I was drawing better back then. So I started examining what was off about how I was drawing now. Traced my own old art, revisited old sketches, etc. and have made small adjustments to make myself happier.
Do what makes YOU the happiest. If you find a new way of drawing something, hold onto it and make it work with what you do. ^^/ ♥
Also I can't give tips because my style do change a lot over the years, I suck at keeping the same shading or style or lineart because I get bored.
If you're looking to actively change something in particular about your style for any reason, however, I think that's where practice and repetition come into place. But don't expect immediate results - after all, your art style is, among many things, a combination of habits and muscle memory you have developed over the years, so it will take a long while before you replace those with others. And even then, be ready to accept there will be times when the results will vary.
Also, as a few folks already mentioned, it's completely normal to be critical of our own work and find details that don't sit right with us, or that are not consistent with how we've drawn them in the past. Unless it's something that really sticks out and has been subject of critique from other peers or viewers, I'd say once again, don't make it a huge concern.
As a final point, remember that expecting every single drawing to look just as good as, if not better than, the last one may be asking too much of yourself. There's always a number of things (time, energy, focus, health, noise, etc.) that without realizing end up altering the results of our work in subtle ways that are hard to pin down until later.
See consistency not as a single fixed point within a spectrum, but as a wide range within it, and you'll have an easier time feeling satisfied about your art style while you continue developing it!
But I haven't seen even a single Artist that has managed to make Art in the exactly same stile from the start of their Carrier to now without at least some changes.
Changes in the art style are natural as we are human beings that learn and have emotions, which are both aspects that influence the art stile, may it be in a positive or negative way.
I don't. I work across several styles, and will pick and choose which one(s) I'm using at any given point. That might mean paying close attention to line weight, or a particular poster approach, or silly things that happen with a particular paint, but unless I need something for a project, I just do what makes me happy.
Practice means I can pick pieces up at whim, but *handwaves* some years I don't practice as much and someone wants that thing from 2017, and there's a wee bit of panic and even more practice.
Or *shrugs* whatever the client asks for, if I think it's something I stand a chance at. If I stop having fun, I work with different clients, or different materials and styles.
The easiest, most intuitional way for you to do specific things like head construction, torso and so on.
Since you get bored quickly and like to explore then perhaps for the branding purpose you could stick with one aspect of your art but be explorative in all others?
DimwitDog would be perfect example of that. Her rendering changed A LOT over the years, but proportions and anatomy stayed mostly the same. I think she would be a very good person to ask about this sort of thing.
Unless i draw purely mechanical stuff.
- Even if unnoticed or without fame - stay true to yourself
- Take critique for real
- Draw because you want to, not because you have to (here said i draw as hobby and this might differs from people to people)
- See your own misstakes, deal with them yourself in a prositive way
- Never tell yourself youre perfect, you can learn from yourself and your misstakes
- be consistant with your drawing, create your own world and characters in it - the canvis is your limit, not the imigration (or how ever you write that one XD)
- Try to do your own, everyone else can use already existing characters anyway
- Enjoy what you do and like
- Be yourself, not someone else
Im about to have my 20th anni as for art. i never thought i go that far heh.
SO I think you're doing fine : )
On the otherhand i like experimenting to some degree and my style does evolve overtime, thats natural for anyone.
some people dont enjoy or feel comfort repeating one style to much though and thats perfectly fine.
If you draw based on the things you've listed here, then I think you should continue to do so. It's like the concept of turning a hobby into a job; once you lose that joy and feel for the effort, it'll begin to sour on you.
Continue to do what feels best to you, and understand that if your style is a little fluid, its because that *is* your style, and just go with it.
There are several artists with similar styles. But I believe, you were on FA before any that can be mistaken for you.
I try to change things around and shift back and forth between sketching, and coloring. Least thats been the case this year. Hoping that perhaps things will turn out better "this time around." With limited time and energy from irl job I'm often a lot more drained and eager to try different approaches when I do get around to arts.
Sometimes I wonder if this constant change is a lack of 'artistic identity,' but then again, maybe it's just a different kind of identity, one that's fluid rather than fixed. I think there's something beautiful in letting your art evolve naturally instead of trying to pin it down.
As for sticking to a consistent style... I admire people who can do it, but for me, it feels like it would strip away some of the joy and curiosity I get from experimenting. Do you think the freedom to explore different styles could be your style?
But not all people are like that, and not most artists are like that. It's impossible to not get bored of doing the same thing over and over if this is your way of being - ironically your style. Of course there are some details that are always fun, those are the parts that naturally stay and express your style. Even if your facial dimensions vary, your work is still obviously your style, there are other components that stay. Some people just don't pay enough attention to notice.
And that being said, there are plenty people who enjoy and appreciate the variation. Please the people who are pleased by what you enjoy doing.
Though that's not to say I and many many others haven't had this same sort of artistic identity crisis. But it often means you are just evolving and becoming a better artist. Perhaps on the cusp of a breakthrough.
Keep doing you, Iskra. No matter how you draw, it'll be amazing.