(Major TL;DR) Discussion: The Art of Commissioning a Furry
18 years ago
General
Guaranteed to put you to sleep faster than Ben Stein reading the periodical table of elements!
Over the last few weeks I've had alot of dicussions with people who have gotten chinsed on trades and commissions, and it's led me to yet another public musing post.
My worst example of getting jipped in a trade was on the VCL forums. Four (maybe five by now?) years ago I entered into a trade with an artist named Akeyla. They had an incredibly strange fursona that was based off a real life sculpture they had done of the character, and so I did a real media piece for me that was a painstaking amount of detail and in realism. Looking back at it now, I've improved so much it's ridiculous, but at the time it was one of the best pieces I'd ever done, and I was quite proud to give it to them, and anxious to see what I would get in return. Well to this day I never got anything back, after months of emailing once every two weeks, and more recently, back in September when they made a post to an LJ community begging for commissions. I brought up the matter in a comment, and she wrote that assuredly she would get right on it, and then after more emails from me to her, there was never any further response.
Anyways! That's not an emo rant or anything, it's just a lead up.
Hyd made a post the other day about how people don't give back trade pieces, and I liked her post. This isn't a duplicate, this is an extension off it.
There's two things that presently boggle my brain.
1. Those who take on trades, don't return a piece, and yet they KNOW they owe art. Time passes on, and then they're too "embaressed" to talk to the other person at all, even if just to say "sorry, I just can't do this," because of how much time has gone by. Wouldn't it be less embaressing to admit to it, rather than to have people see you chat up other artists on a daily basis and know that you're ignoring whoever you owe a piece to? You would get a monkey off your back, and keep yourself from being labeled a deadbeat.
But here's the main thing I don't understand.
2. People who take on so many commissions that they have a list of 30-40 people that they take the money from, and then make them wait months, to years, to get their pieces back. And then they still take on more trades, join communities, etc, while oweing that amount of art.
Now, I can understand that there are certain artists who are VERY good. I also know that in order to be VERY good, you have to invest time into each piece, and give yourself room so you don't get burnt out. Hey, c'mon, I'm an artist too, I get that. And I know if there's someone I idolize, heck, I'd wait months to for a piece, IF I knew it was being worked on actively, even if only in small bits at a time.
But what I DON'T understand, nor condone, is accepting money from people when you have such long lines, excepting of course in the case of an emergency (which I mentally still think, eh, to, but it's at least more understandable)
Shouldn't you say okay, I'll put you on my wait list, but reserve payment until I get back with you?
Now there are artists who CAN handle having a huge amount of people in queue for art on their commissions.
guyver47 for example. Alicia ROCKS. Every single dang badge, piece, even chibi art that comes from that woman is awesome, and in fact, if anything, her art gets BETTER with each badge, not worse from having alot to do. If you see her with a stack of badges to complete, you KNOW yours is going to get done, it's going to be done RIGHT, and it's going to be killer.
Tamen Here's another chica that if you give her money, you KNOW you're getting back a piece promptly.
But then there's other folks. I can think of a few specific names, but I'm not here to start drama, only to muse.
These are the people who know they're swamped. They already owe art to quite a few people who have already paid, and yet if someone says "hey you open for commissions?" they'll say yes and eagerly take the cash. They won't even take the character description most of the time, they say hold onto it for now and I'll get back to you when I need it.
What's even WORSE, ugh, is the ones who take the commission, then say "YOU are responsible for the information I have. I know you already GAVE me a description once, but I lost it. Therefore, I'm making a post saying I don't know who I owe art to. If you don't respond to this, you don't get anything back. PERIOD."
This is very bad business practice. Yes, I consider people who commission me as customers making a business transaction. They're giving me money that they earned and worked hard for, and expect something in return. I'm aghast if I make a person wait even a week from the date I recieve their payment to when I give them a finished piece. 80% of the time, I finish a persons commission before they even make a payment to me. This keeps me from getting bogged down, and even if I only do a sketch before I recieve the payment, by the time the money is there, it means that I have less of a work load to finish their drawing.
And with me personally, if I tell someone, hey, your drawing will be done tonight. Then I don't get a chance to finish it, I send them a note and say "oh, I'm so sorry, it'll be tomorrow afternoon instead." People don't mind if it's a few hours longer - but they want to be updated. Telling them nothing of the product is non-optional, to me.
SO, discuss. What do you guys think of people who have 20+. 30+, whatever, queues of commissions they need to do? Would you commission someone if you knew they had that kind of line? Would you take money from people if you already owed a massive amount of art and felt overwhelmed?
Further, what do you think when someone is a GREAT artist, but they give you back something way below their skill level because they've taken so long on commissions they just want to "get it done"?
My worst example of getting jipped in a trade was on the VCL forums. Four (maybe five by now?) years ago I entered into a trade with an artist named Akeyla. They had an incredibly strange fursona that was based off a real life sculpture they had done of the character, and so I did a real media piece for me that was a painstaking amount of detail and in realism. Looking back at it now, I've improved so much it's ridiculous, but at the time it was one of the best pieces I'd ever done, and I was quite proud to give it to them, and anxious to see what I would get in return. Well to this day I never got anything back, after months of emailing once every two weeks, and more recently, back in September when they made a post to an LJ community begging for commissions. I brought up the matter in a comment, and she wrote that assuredly she would get right on it, and then after more emails from me to her, there was never any further response.
Anyways! That's not an emo rant or anything, it's just a lead up.
Hyd made a post the other day about how people don't give back trade pieces, and I liked her post. This isn't a duplicate, this is an extension off it.There's two things that presently boggle my brain.
1. Those who take on trades, don't return a piece, and yet they KNOW they owe art. Time passes on, and then they're too "embaressed" to talk to the other person at all, even if just to say "sorry, I just can't do this," because of how much time has gone by. Wouldn't it be less embaressing to admit to it, rather than to have people see you chat up other artists on a daily basis and know that you're ignoring whoever you owe a piece to? You would get a monkey off your back, and keep yourself from being labeled a deadbeat.
But here's the main thing I don't understand.
2. People who take on so many commissions that they have a list of 30-40 people that they take the money from, and then make them wait months, to years, to get their pieces back. And then they still take on more trades, join communities, etc, while oweing that amount of art.
Now, I can understand that there are certain artists who are VERY good. I also know that in order to be VERY good, you have to invest time into each piece, and give yourself room so you don't get burnt out. Hey, c'mon, I'm an artist too, I get that. And I know if there's someone I idolize, heck, I'd wait months to for a piece, IF I knew it was being worked on actively, even if only in small bits at a time.
But what I DON'T understand, nor condone, is accepting money from people when you have such long lines, excepting of course in the case of an emergency (which I mentally still think, eh, to, but it's at least more understandable)
Shouldn't you say okay, I'll put you on my wait list, but reserve payment until I get back with you?
Now there are artists who CAN handle having a huge amount of people in queue for art on their commissions.
guyver47 for example. Alicia ROCKS. Every single dang badge, piece, even chibi art that comes from that woman is awesome, and in fact, if anything, her art gets BETTER with each badge, not worse from having alot to do. If you see her with a stack of badges to complete, you KNOW yours is going to get done, it's going to be done RIGHT, and it's going to be killer.
Tamen Here's another chica that if you give her money, you KNOW you're getting back a piece promptly.But then there's other folks. I can think of a few specific names, but I'm not here to start drama, only to muse.
These are the people who know they're swamped. They already owe art to quite a few people who have already paid, and yet if someone says "hey you open for commissions?" they'll say yes and eagerly take the cash. They won't even take the character description most of the time, they say hold onto it for now and I'll get back to you when I need it.
What's even WORSE, ugh, is the ones who take the commission, then say "YOU are responsible for the information I have. I know you already GAVE me a description once, but I lost it. Therefore, I'm making a post saying I don't know who I owe art to. If you don't respond to this, you don't get anything back. PERIOD."
This is very bad business practice. Yes, I consider people who commission me as customers making a business transaction. They're giving me money that they earned and worked hard for, and expect something in return. I'm aghast if I make a person wait even a week from the date I recieve their payment to when I give them a finished piece. 80% of the time, I finish a persons commission before they even make a payment to me. This keeps me from getting bogged down, and even if I only do a sketch before I recieve the payment, by the time the money is there, it means that I have less of a work load to finish their drawing.
And with me personally, if I tell someone, hey, your drawing will be done tonight. Then I don't get a chance to finish it, I send them a note and say "oh, I'm so sorry, it'll be tomorrow afternoon instead." People don't mind if it's a few hours longer - but they want to be updated. Telling them nothing of the product is non-optional, to me.
SO, discuss. What do you guys think of people who have 20+. 30+, whatever, queues of commissions they need to do? Would you commission someone if you knew they had that kind of line? Would you take money from people if you already owed a massive amount of art and felt overwhelmed?
Further, what do you think when someone is a GREAT artist, but they give you back something way below their skill level because they've taken so long on commissions they just want to "get it done"?
FA+

I remember years ago being so afraid of finishing pieces that I became suepr-avoidant of the people. I like to think I resolved everything, but it's definatly not something that people need to make a habit out of.
Seriously, it's not too hard to just email someone and say "Hey, can't do it. Sorry." Instead of just pretending the situations don't exist and continue on like nothing's wrong.
And we're both young, so when you say years ago you were afraid, it was when you were a teenager and if there's one thing teens are good at, it's wondering what their peers think of them, lmao.
There's a few people I'm furious with, and one, I don't mind mentioning the name of because I feel like I was treated very unfairly. I accepted a badge trade with Kasai, after they asked me for one. I spent so long on that badge, it was the best at the time I had done, and STILL one of my best. I sent it to them, and waited for mine. their excuse turned from 'it'll be digital' to 'it'll be real media' to 'I hate drawing anthros they make me sick' that was a year ago and I'm still mad D:<
I could seriously rant rant RANT about this subject forever. But one thing I noticed it VERY VERY appreciated, is when you make up for a delay. I give little extra gifts or doodles, to say I'm sorry more than words. And it's always been a good idea :D
To the people who've taken too many? DO THE BIGGEST ONES FIRST. Dangit to those who do all the badges and leave the big ones behind. And HELL NO would I commission someone with that much of a workload. I'd never see the work, I just don't trust artists. {even myself at times}
And please, rant away! Considering how long my entry is, I WANT to hear every last little eensy weensy thought in that sweet noggin of yours on the subject. You took the time to read my post, I want to read and respond to all of your thoughts.
The Kasai thing is very understandably enough to make you angry. Hrm, in fact, I did a badge for them myself once on the conbadge community, and they didn't get me back thankfully, but the same month I did one for them, they never turned anything in. I'm sensing a trend here with them.
And yeah, if someone commissioned me for a like, let's say I got 100 bucks to do a piece, and then got like, five icon commissions. FCK would I do the 100 buck one (I've never gotten paid that much but you know) first, because
1. HeCK this person has cash. I WANT to make them happy and perhaps gain repeat business
2. I MUST do my best, because then everyone will see that if they pay me that much money, they will darn well get their socks knocked off. Every piece you do for someone who commissioned you is its own advertising
3. It's just a shyte load of cash! If they commissioned me, they deserve to be waited on hand and foot
Awhh I might I might, I did read all/most of that since I like to know other people's thoughts on commissions. Taking or receiving, I've commissoned a few people in the past and always got what I paid for and better. I've been kind, and very negotiable. It's such a good thing to just stay in contact, but not SUPER CLOSE like every few days. And to make a list of progress! I recently discovered that it's a perfect commission helper and just just for the trader/commissioner but for me too! I have a bad memory sometimes. XD
I've been overpaid a few times, and I still feel that I owe Wylde {big time!! she's so sweet!} Tigercat and Moongleam and HVincent. the last two just gave me money because I needed help. In that situation I'm still sorta cloudy. I want to pay them back, but they both want nothing? I think I will though, because one good turn deserves another, always.
{You I still wanna mail too! since you gave me that cute anime :D}
And that #2 is right on! If the desc even says 'commission' I sometimes get asked if I'm open! it's kinda nice :D
Awww, you mailed me that CUUUUTTE Christmas card though! And I'm going to mail you candy >D
Hm, my son's birthday is coming up so I'll be busy for that. How about we start a trade beginning on the 20th? I'll have nothing on my plate around then, and we can both feel better doing an update = D
It was initially a one character commission but then was changed to two characters making it a bit more complicated for me, but it gives me an opportunity to draw your character as well :)
I spoke with him over Yahoo messenger around the 1st of June and gave him an update on the status. I thanked him for his patience also, and I feel that it's fair for me to include some extra art in compensation for how long he has been waiting.
I'm not trying to make excuses for myself though however.
I don't want to give off any impression that his commission isn't important to me. I got overwhelmed and have made changes in my work habits to shorten the turn around time on commission in general. I take my reputation and business seriously and I don't want my customers to feel cheated in any way. I hope that this can settle any animosity there may be against me regarding the status of his commission.
:)
A week from payment to completion? Wow, lady, you're fast. What do you do when three people commission you at once? I, for one, cannot complete a digital piece in less than three days--and that would be if my customer was online 24/7 and ready to respond with 'yes, it's perfect!' at every progress shot I gave them. If three people want something at the same time, I simply could not get them all done in under a week. But, I try to never let my list get more than about a month and a half or two months at the most in wait time.
I have had one commission that I've had for almost 6 months, but the person dropped off the face of the internet. I've been waiting with a progress shot to show them for at least 5 months. ;_______________;
When three people commission me at once? I just do it right that second. For example, Mav, Jon and Jade commissioned me all at the exact same time. Their payments were staggered, so I did this rotation where I started the work before I got the money, and then I would send sketches for approval, and as edits went, I would work on whoever had the most updated letter sent to me. So I would work on each piece a bit every single day, and I finished them all in hoom, four days? In Jade's case, I had his finished the very next day cause his was CG. CG is EASY for me.
To your person who dropped off the planet, if I were you, I'd just finish it, upload it, and if they want an edit you can always go back, but at least you'll know it's done and if anyone ever says "hey what happened to.." it'll be there, yeah?
Also, I've been ripped off myself--I don't do work until I've been paid in full, not anymore :C
...on the other hand, though, once i get started, and get past the hardest stage (usually settling on a pose and getting certain features down pat) everything else comes quickly.
There was ONE time when it took me almost seven or eight months to get a piece of art done for someone. To be fair, though, the finished lineart was done on 12x18 inch paper, and it was colored completely in Photoshop, on someone else's computer (she was very generous and let me "borrow" the computer for a few hours every other evening until I got it done) at a resolution of 600. And then there was someone who requested a trade from me, and then dropped off the face of the Earth before I could get their address... :
What I don't get is that when someone is sitting on their booty saying "Ho hum, I need to do this commission." instead of telling themselves I'll do it later, why not take that awareness and start right that second ?
That applies to anything in life. Taking out the trash, cleaning up a house. If you know you have to do it, it's so much easier to get it out of the way immediately, you save yourself stress and then it doesn't build a Pavlov reaction of making you freak out whenever you think about it
I usually go with artists that tell me ahead of time to wait until I contact you and then we'll discuss details.
This at least gives me time to work on getting money together and getting the said character
together.
If I'm an artist and I'm doing trades and/or commissions. I limit them to at the max 10 and
at the least 4.
Every customer who does a trade or commission has the right to ask for timely progress. It is
agreed upon. Then the promise should be kept by both parties.
I do feel it's best for customers and the commissioned to make a deadline whether it be a trade or commission.
In my view 20 to 30 queues of commissions and/or trades is bad news.
Agreed that it's bad news.
I can't even FATHOM being that popular!
But Terrie and I are coo'. If she doesn't contact me then her husband Glen does. When there's a major trajedy in my life they usually send a letter or card. They keep in contact, so I don't worry they'll run off without doing the work.
Still, that kind of popularity takes a special kind of mentality.
Michele Light wasn't so bad to commission. Her turnaround was about 3 years given the workload. I was fortunate, these fanboys pay out sometimes four figure ammounts for a commission by her. ME...
I paid a whoppin' $40 for an original Michele Light piece, that she made prints of that sold surprisingly fast given how it seems furry fandom is so against that sport.
I have this one and only warning.
"BUYER BEWARE".
Heck no. You have a deadline, you get it done, PERIOD. Emo or not.
If someone is getting depressed. I don't want to piss them off.
Once I do get the finished piece. I usually don't commission them anymore because of their mood swings
and whining.
Like for example one artist that was on here but not anymore.
I waited for 1 year and 3 months. I was waiting 3 months before I got a progress from her and then she goes on about I'm having difficulty. My husband left
me and then the computer blew up.
Then all of sudden. It's "I'm pregnant".
Then it comes to..."This is why I don't do commissions. People are impatient. Then "It's I'm
depressed right now".
I was like if you don't communicate with me. Of course I'll get impatient and you don't even have 10
commissions. Just mine and only mine.
After I got it. I was like if she goes back on here.
I will spread the word. Don't trust this artist.
And pfsh, when I got dumped and was pregnant and had to move, I still did art, lol
But I'm weird
But my thing is communicate and things will be fine.
haha!
I guess one of my biggest concerns in a commish is that I'm always afraid of what I'll get in return for my money. When I get that note back with the prelim sketch link I'm hesistant to click it because I'm afraid that the piece either wont be what I expected at all or below the level of art I expected from the artist. I'm still waiting to hear back from Hyd on a piece I commissioned from them. I'll be honest, the prelim sketch didn't seem to be up to par with their usual work but that very well may have been the sketchy nature of the prelim. I find it very difficult to ask an artist to change a piece around because I'm afraid of offending them or being too much of a burden (AKA Pain in the ass).
To me, when someone commissions me, I'm honored, and flattered that they've decided they like my work so much they want to pay me for it. Now, MY happiness comes from their happiness, so if they're not over the top in love with what I make for them, then I'd be miserable. I WANT people who commission me to be excited and just downright giddy at art I do for them. They obviously won't commission you a second time if they think they got ripped off, but more importantly, it's a matter of personal pride to do my best and please the customer.
Hyd's a total sweetie. I'd just bring it up to her were I you
GUESS WHAT!? I got commissioned~ *dances*
... and I'm giving it away for free! nnnoo moneys fooorrr meee, but I don't mind, its for a friend, and giving something to a buddy is way better than silly money that sours the WORLD! D:
BUT it seems the fandom has been plagued with this weird depression as of late. Many seem to be leaving FA, DA, SA.. quite a few are cancelling their comission status or no longer drawing for now... and there just seems to be this take, take, take mentality w/o giving anything.
The Guyver and The Tamen really are a great bunch of gals in my opinion. As for the others with bad business practices, I'm sure we could explain and even provide reference material on how to be more professional but we'd get flamed in return 'stop criticising me!!' and such..
Oddly enough though... people who have been problems for others have always pulled through for me very well. But then, I have at one point been considered the king of commissioning a certain subject (With around 200 arteests under my belt at one point).
Now I just wait for those who I am still waiting on commissions from, and I'm done. (Probably won't be seen in the fandom at all unless talking to friends.)
I'm almost done writing the letter for you, by the way
200 artists?! WOW, that's incredible, what do you normally have them draw?
Mostly anthro combat sports, originally boxing. I was dating a lady who was a boxer. In those days there wasn't anyone in her weight class so she was just semi pro, doing little exhibitions. 6' 3" and near 200 pounds of lean muscle, and that she had some road rash on her back that scarred into almost tiger stripes, the gimmick we came up with was a boxing tigress. When she had a serious accident and couldn't fight anymore we kept the likeness going as a standalone character with a storyline and folks from her gym became anthros as well. Even her brother.
I offered to do a trade once and then got so depressed shortly afterwards that I couldnt find my muse. I wanted to finish, but I didn't even look at art, just played video games and slept a lot.
When I was ready to draw again, that piece was first priority. I finished it, and did a good job, before doing anything else for myself.
And that was gift art, for which I did not receive anything in return.
Currently I have a commission that I am waiting for. Been waiting a long time in fact. She's a good artist, but I think she let one of her emergencies let her commission list get too long. However I see her in multiple art trade communities and producing at least three pieces a month. Now that just doesn't seem right to me.
*crosses my claws and hopes for the best*
plus have you noticed that a lot of time the MORE commiosns someone has to do, the more they want for them? lol
I've been jipped on 18 trades and 2 commissions...
*blushes* considering the implied compliment there, I'm touched
I usually leave it up to the artist, I'm not picky...ever.
Sorry, didn't mean to whine but thats what this journal screams to me ^^;;;
I shouldn't ask for names, but dang if I'm not interested, haha..
But that situation sounds like absolute crap, and honestly, it's downright shocking. Chaosie is such a fun character, I don't know how anyone could get tired of drawing her.
And BS to you being called unreasonable for being upset. I'd have been MORE than upset if I'd have been in your shoes.
And it's not whining, that's what this post is all about! I want to hear your experiences
The time helped, and due to the lack of attention of the requesters, I simply erased my list to do to the minimum.
That's quite easier to just do what we like, and to do some gifts =)
Requests? Difficult to get one from me now, due to the lack of interest.
Art-trade? Always open for it!
but commission? No, definitively no.
I have drawn Kila because it was sort of a gift, but not because it was commissioned =)
And hell yes, Kila was quite fun to draw X3
What about artists who continuously say they don't take commissions and then they start posting pics of... commissioned art? Or artists who you commission and you see a lot of their own works for their own personal enjoyment and never seem to get to your piece. I believe in letting the artist do their own works in between commissions... but when you see six or seven pics go up... then I get a bit torqued. Some "Art Gods" get like that in both cases.