commission question - how many updates do you like to get?
12 years ago
I usually update my commissioners multiple times when I'm working; 95% of the time I update for the sketch, the lineart, and the coloring/shading where these things are applicable for the commission.
Sometimes I don't update for lineart if no changes are needed after the sketch and just line and color and then show the commissioner, because it goes a little faster that way.
However, some people like the element of surprise with commissions, I guess, and only worry about changes afterwards?
How many updates do you like to get when you're getting a commission?
...also, how are you guys? :D Got any awesome new music for me to listen to?
Sometimes I don't update for lineart if no changes are needed after the sketch and just line and color and then show the commissioner, because it goes a little faster that way.
However, some people like the element of surprise with commissions, I guess, and only worry about changes afterwards?
How many updates do you like to get when you're getting a commission?
...also, how are you guys? :D Got any awesome new music for me to listen to?
Most of my clients seem to really appreciate it when I update them often, but I think it does depend on the person. Some have been perfectly happy with just the one approval sketch and are, to my knowledge, quite pleased just seeing the end result. Others have been more nitpicky and require upwards of 3 updates on sketches alone. I guess it depends on personality and situation; some will want to have more of a hand in the process, while others are happy letting the artist take the reins.
Thats with me at least, I do like the element of surprise. :3
As an artist myself, I tend to dislike making changes to commissions outside of small details or things that are obviously my mistakes. The stages I show the commissioner is largely dependent on the type of commission and how often I take breaks from the work. For avatars, I usually work from start to finish in one go, so it's inefficient and disruptive for me to send the client multiple updates (and it's not that hard to fix small things after the piece is done). For larger pieces, I normally take a break after major levels (inks, flat colors, etc) anyway, so showing the client an update at these stopping points is convenient for me. Plus, since larger pieces are harder to fix later, it's good for me to let them point out things sooner.
I realize that my artist perspective directly disputes a lot of my feelings from the commissioner perspective, but I can't assume every artist is like me I guess...or maybe I am just paranoid after all. D;
I have been listening to EVER BLUE from the last episode of Free! nonstop and it is giving me a lot of feelings STILL. EVEN AFTER LIKE THE FIFTIETH PLAYTHROUGH what is wrong with meeee....
Wow, I have written a lot. I am having an okay day, and I hope you are too! x___x
I had a lousy experience where someone just handed me a finished piece, but there were multiple things wrong with it (the female character's haircut was wrong, the male character's body type was wrong, the female character's tattoos had all been left off, and the male character had no tail). It was not a cheap commission (eighty-something bucks) so I asked her to change it - and the artist tried to charge me a $20 "revision fee". LOL nope. That'd be a great racket, though - take commissions for a set rate, screw up a bunch of stuff, get an extra $20 to fix your own mistakes :p
Ever since that I'm kind of soured on "surprise" commissions for the most part :P