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Night Time of Nancy (2021 Remake)
I'm glad how Nancy is turns out now. Exactly like this (with such "bikini") she might look like 10 years ago, when i make her for the first time, but, i haven't skill at all, at the amazing beginings.
Here her first version: https://www.deviantart.com/mctrance.....ansy-258993613
Artwork and character "Nancy" belongs to me.
On my Patreon has bigger size: 6500x3473pix, and with sub-versions [~11pics] (+\- Nude, Corset, Ballgag, Strapon)
Here her first version: https://www.deviantart.com/mctrance.....ansy-258993613
Artwork and character "Nancy" belongs to me.
On my Patreon has bigger size: 6500x3473pix, and with sub-versions [~11pics] (+\- Nude, Corset, Ballgag, Strapon)
Category Artwork (Digital) / General Furry Art
Species Wolf
Size 1026 x 1920px
File Size 2.07 MB
Listed in Folders
Very nicely done, especially compared to before -- but, then again, you knew that ;)
One thing I don't think I've mentioned, though... the way your characters are posed, the way they position themselves in the image, *that* is an extraordinary difference. The newer artworks show characters with more expressive, dynamic poses. You can see emotion there, feeling, energy... they're not just "there", like a sticker on a photo of some scenery.
Looking at the new work of Cassandra, for example, I get the impression that it's an unexpectedly cold day in early spring. The sun has not yet found its warmer glow (I can see the seasonal tint changes... not everyone can), and the way she's holding herself, she's clearly cold. But she's got warm-weather clothing on, so clearly she was expecting that... and while she's putting on a brave face, clearly she's not happy. She's not quite managing to fake that smile and she just looks cold, miserable, and perhaps a bit small in the world.
Mac, in his piece, his jaw is set, but while he's clearly angry, it's more a matter of keeping the adrenaline up so he can keep going. More what I see in that face is weary, grim determination and a "thousand-yard stare". He's "seen some things", in the worst of ways, and he knows he'll see more before the day, and the danger, are both over. He doesn't have much besides that determination -- look at him, he's not even wearing any kind of armor, even from improvised materials. But he also knows that it will be far worse for himself, everyone, and everything he loves and cares about, if he doesn't press on.
Nancy, in this work... she clearly wants something... or maybe some*one*. While she seems to be looking at the viewer, I've been on this Earth long enough to know that when someone looks in my direction with a gaze like that, someone who's actually fairly good-looking is right behind me.
You miss a lot of each of those descriptions, if you get any of them at all, from the original, decade-old drawings. They simply don't have the sophistication to tell a little story in a scene, like a narrative vignette, the way the newer artworks do.
...or maybe I'm just seeing things, who knows! :P
One thing I don't think I've mentioned, though... the way your characters are posed, the way they position themselves in the image, *that* is an extraordinary difference. The newer artworks show characters with more expressive, dynamic poses. You can see emotion there, feeling, energy... they're not just "there", like a sticker on a photo of some scenery.
Looking at the new work of Cassandra, for example, I get the impression that it's an unexpectedly cold day in early spring. The sun has not yet found its warmer glow (I can see the seasonal tint changes... not everyone can), and the way she's holding herself, she's clearly cold. But she's got warm-weather clothing on, so clearly she was expecting that... and while she's putting on a brave face, clearly she's not happy. She's not quite managing to fake that smile and she just looks cold, miserable, and perhaps a bit small in the world.
Mac, in his piece, his jaw is set, but while he's clearly angry, it's more a matter of keeping the adrenaline up so he can keep going. More what I see in that face is weary, grim determination and a "thousand-yard stare". He's "seen some things", in the worst of ways, and he knows he'll see more before the day, and the danger, are both over. He doesn't have much besides that determination -- look at him, he's not even wearing any kind of armor, even from improvised materials. But he also knows that it will be far worse for himself, everyone, and everything he loves and cares about, if he doesn't press on.
Nancy, in this work... she clearly wants something... or maybe some*one*. While she seems to be looking at the viewer, I've been on this Earth long enough to know that when someone looks in my direction with a gaze like that, someone who's actually fairly good-looking is right behind me.
You miss a lot of each of those descriptions, if you get any of them at all, from the original, decade-old drawings. They simply don't have the sophistication to tell a little story in a scene, like a narrative vignette, the way the newer artworks do.
...or maybe I'm just seeing things, who knows! :P
Skill is grown, so i can do what i planned at the begining.
Cassandra hold herself not because she feel cold, look at "05.03 Первый день трио" you realise that i just didn't draw real reason.
Mac in his second "stage" where he faced hard combat, and he ready for more.
Thank you, for a very good and interesting comment.
Cassandra hold herself not because she feel cold, look at "05.03 Первый день трио" you realise that i just didn't draw real reason.
Mac in his second "stage" where he faced hard combat, and he ready for more.
Thank you, for a very good and interesting comment.
You are quite welcome :) I try to be encouraging as well as constructive. I'm glad I was well-received -- sometimes I wind up wording things in ways that don't go across as kindly as they are meant...
OK, so I read a lot from my own mind into the pictures... oops! (That *does* happen. Oh well.) I see from the other image, Cassandra is actually injured (and with Cherry, who may or may not be hurt as well, it's kind of hard to tell); the arm she's got her hand on in the 2021 Remake image is bandaged in "First Day of the Trio" (translation via Google), the other image you mentioned -- a pity that it, and the other two images that go with it, are pretty clearly marked "I'm not explaining these, please don't even ask" by you -- the narrative/literary side of my head is going absolutely *wild* right now with possible stories and ideas for them, but because I really do try to be as respectful of everyone as I reasonably can (there are the few :( ) so I feel like I *can't* ask.
But -- such is life :) I'm sure you'll tell us when you're ready, and I will gladly wait for that time. I don't want to make you uncomfortable. In the meantime -- there is *always* something to improve, by way of art. I'm an artist and a writer because I learned somehow that writing really is just doing art using words instead of lines and shapes and colors. I'm not very good with color and I'm borderline worthless with shading -- but I'm going to try again soon with a technique I've halfway picked up from another artist and which I'm going to make my own. So -- "keep on truckin'" ;) and don't ever give up.
OK, so I read a lot from my own mind into the pictures... oops! (That *does* happen. Oh well.) I see from the other image, Cassandra is actually injured (and with Cherry, who may or may not be hurt as well, it's kind of hard to tell); the arm she's got her hand on in the 2021 Remake image is bandaged in "First Day of the Trio" (translation via Google), the other image you mentioned -- a pity that it, and the other two images that go with it, are pretty clearly marked "I'm not explaining these, please don't even ask" by you -- the narrative/literary side of my head is going absolutely *wild* right now with possible stories and ideas for them, but because I really do try to be as respectful of everyone as I reasonably can (there are the few :( ) so I feel like I *can't* ask.
But -- such is life :) I'm sure you'll tell us when you're ready, and I will gladly wait for that time. I don't want to make you uncomfortable. In the meantime -- there is *always* something to improve, by way of art. I'm an artist and a writer because I learned somehow that writing really is just doing art using words instead of lines and shapes and colors. I'm not very good with color and I'm borderline worthless with shading -- but I'm going to try again soon with a technique I've halfway picked up from another artist and which I'm going to make my own. So -- "keep on truckin'" ;) and don't ever give up.
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