If muscle art isn't your thing, I would advise that you hit the 'back' button immediately, and look at other submissions that fit your fancy. But I do appreciate the view, thank you very much. n///n
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Oh my GAWD!!! After forever, I colored again. n///n...
Well, tried some new things here. Firstly, the pic is a pen-tool mayhem. XD... haha, luckily, photoshop is still friendly to me.
So here's the colored version of my previous Marcus pic, with his overalls and his shredded bod beneath. >w<...
Though I think it didn't turn out that bad. n///n... heehee. His colors are so... Autumny.
Coloring again feels so good...
Anyway, thank you for the view, and thanks for reading.
Comments are appreciated. ^^... I would like to know how I did.
Marcus © me
art © me
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Oh my GAWD!!! After forever, I colored again. n///n...
Well, tried some new things here. Firstly, the pic is a pen-tool mayhem. XD... haha, luckily, photoshop is still friendly to me.
So here's the colored version of my previous Marcus pic, with his overalls and his shredded bod beneath. >w<...
Though I think it didn't turn out that bad. n///n... heehee. His colors are so... Autumny.
Coloring again feels so good...
Anyway, thank you for the view, and thanks for reading.
Comments are appreciated. ^^... I would like to know how I did.
Marcus © me
art © me
Category All / Muscle
Species Housecat
Size 791 x 1000px
File Size 253.9 kB
Rawrrr what a beautiful piece of art you did here <3
I must say you colored this pic quite well with using the pen tools quite skillful =3
And the colors are very well chosen indeed, very warm and nature-like... or should I better say chocolate-milk like?
Anyways, I really love it, definetly one of my favorites of your gallery... well.. all your art is my favorite in your gallery ^w^
Keep up your wonderful art, you are improving well indeed <3
I must say you colored this pic quite well with using the pen tools quite skillful =3
And the colors are very well chosen indeed, very warm and nature-like... or should I better say chocolate-milk like?
Anyways, I really love it, definetly one of my favorites of your gallery... well.. all your art is my favorite in your gallery ^w^
Keep up your wonderful art, you are improving well indeed <3
Thank you very much, dear bro. u////u... haha, it took me many tries and errors in using the pen tool. XD... It really warms my heart to hear you say that I am improving. u//////u
And the clors are mainly yellows and browns, because Marcus is yellow and brown. XD... and the only colors I could think of that fit a working suit are yellow and brown as well. ... so I guess it's nice that they fit each other.
And I also love every precious art you make, dear bro.
And the clors are mainly yellows and browns, because Marcus is yellow and brown. XD... and the only colors I could think of that fit a working suit are yellow and brown as well. ... so I guess it's nice that they fit each other.
And I also love every precious art you make, dear bro.
O//////O
this.... If I ever need to lose blood, I'll come find you. This'll do the trick -///////-
He reminds me of gourmet chocolate with that beautiful color. I'd half expect him to taste sweet (don't think too hard about that statement).
The ten pack is very nice, and I really love the slight curve to his stance.
And the eyes... You've done them so well, and everything draws attention to then. He's staring right at me and I can't look away. They're so bright, framed by his soft bangs and with his gloved paws pointing inward toward them. Even his abs, seductive though they are, draw attention to them because your gaze naturally follows that white trail up the beautiful ridges until you're stolen - trapped in those enchanting candied pools.
...... Feel free to give me a request some time -/////- I'd be happy to do one.
this.... If I ever need to lose blood, I'll come find you. This'll do the trick -///////-
He reminds me of gourmet chocolate with that beautiful color. I'd half expect him to taste sweet (don't think too hard about that statement).
The ten pack is very nice, and I really love the slight curve to his stance.
And the eyes... You've done them so well, and everything draws attention to then. He's staring right at me and I can't look away. They're so bright, framed by his soft bangs and with his gloved paws pointing inward toward them. Even his abs, seductive though they are, draw attention to them because your gaze naturally follows that white trail up the beautiful ridges until you're stolen - trapped in those enchanting candied pools.
...... Feel free to give me a request some time -/////- I'd be happy to do one.
Oh my. Haha, such a long comment. I enjoy these. *reads*
Oh my, whoever wants to lose blood intentionally? XD... Haha, though thank you for the bloody patronage. *chuckles*... you're so funny. >w<
Gourmet chocolate. Oh my, that does sound delectable. ... and Marcus, the way I thought of him as an OC, is totally crazy over chocolate. He would jump over a bridge for chocolate, if the quality is right. XD... and don't worry. "You are what you eat"... and I've also been wondering how he tastes like for a long time now. <w<...
And the washboard abs are just something he gets out of his job, I suppose. haha. thank you. u///u... I always thought there was something a little wrong about his eyes, but it seems that
You're quite nice. *hugs*... thank you for seeing all those points about the pic. ... and you were even being all nicely poetic at the end there
A request? hmmm.... well... I'm not sure if you're up for a story with some nice muscular detail? <///<
Oh my, whoever wants to lose blood intentionally? XD... Haha, though thank you for the bloody patronage. *chuckles*... you're so funny. >w<
Gourmet chocolate. Oh my, that does sound delectable. ... and Marcus, the way I thought of him as an OC, is totally crazy over chocolate. He would jump over a bridge for chocolate, if the quality is right. XD... and don't worry. "You are what you eat"... and I've also been wondering how he tastes like for a long time now. <w<...
And the washboard abs are just something he gets out of his job, I suppose. haha. thank you. u///u... I always thought there was something a little wrong about his eyes, but it seems that
You're quite nice. *hugs*... thank you for seeing all those points about the pic. ... and you were even being all nicely poetic at the end there
A request? hmmm.... well... I'm not sure if you're up for a story with some nice muscular detail? <///<
Yeah, nose bleeds are generally unpleasant at high altitudes XD.
Oh that's funny! I was skimming over your reply and thought I read the phrase "chocolate abs." You are a naughty girl X/3
Puhleeeeeaaaase. Dahling, I was BORN to write nice muscular detail. Read this if you need evidence: http://www.furaffinity.net/view/4700567/
..... It DOES get very messy, though, so feel free to stop if things start getting too hot for you >///////<
Oh that's funny! I was skimming over your reply and thought I read the phrase "chocolate abs." You are a naughty girl X/3
Puhleeeeeaaaase. Dahling, I was BORN to write nice muscular detail. Read this if you need evidence: http://www.furaffinity.net/view/4700567/
..... It DOES get very messy, though, so feel free to stop if things start getting too hot for you >///////<
Chocolate abs? <w<.. >w>.. I didn't say that. X3... but when I reread my comment, I thought I saw it too. Oh you, putting ideas into my head. And that particular idea was not bad at all
And you really are quite talented as a writer <3... wonderful vocabulary, flexible storytelling, colorful descriptions. Though I just scrolled down faster during the sensitive parts. >////>...
And I MUST say! you really do know how to write some very nice muscle moments there. >////<... though I had to be very careful. Where there were muscles, there was definitely something much more sensual to follow.
So anyways, alrighty. >w<... hmmm. A story about one of my boys perhaps? something akin to this lovely piece of muscle literature here. http://www.furaffinity.net/view/3707956/
And you really are quite talented as a writer <3... wonderful vocabulary, flexible storytelling, colorful descriptions. Though I just scrolled down faster during the sensitive parts. >////>...
And I MUST say! you really do know how to write some very nice muscle moments there. >////<... though I had to be very careful. Where there were muscles, there was definitely something much more sensual to follow.
So anyways, alrighty. >w<... hmmm. A story about one of my boys perhaps? something akin to this lovely piece of muscle literature here. http://www.furaffinity.net/view/3707956/
Oh, it's quite a good idea I agree ^w^
Sorry if you had to scroll a lot then >_<
Oh, so freelance? Mmmmm.... well I normally ask for more details, but I could easily just do a fan-fic of one of your characters if you're alright with that. I would need a fairly detailed bio if you don't want them doing/saying things you wouldn't like.
As to that story.... I'm going to try to finish it, but.... Well, what can I say? It's so detailed that it could evoke a perfect moving in the mind so that reading the story would be preferable to any actual movie one could make of it. It COULD BE, but it just doesn't. It's incredibly well detailed, but there's nothing poetic or novel enough about it to captivate an audience and really draw them in other than the topic of the story itself. There's a technique that he really needs to incorporate and it goes thus:
A reader tends to focus more on dialogue than on narration because they're used to living in real life, which has no narration. Ergo, it's good to make dialogue and narration flow within the same paragraph so that the reader pays more attention to the narration, which goes with the dialogue, and naturally experiences a higher level of immersion. Example:
'Jane excitedly put her hands on Mary's shoulders. Her eyes burned bright with questions. "So what did he say? Did he ask you out?" '
This makes both the mistake of keeping dialogue and narration separate, and puts all narration before dialogue. It also takes little use of poetic details. A better way to put it might be:
'Jane excitedly put her hands on Mary's shoulders. "So what did he say? Did he ask you out?" she asked, eyes burning brightly like little suns of curiosity.'
This way makes dialogue and narration flow together smoothly.
You will also notice that the second example does not contain a single detail or description that couldn't already be pulled from the first example. But the use of similes makes the sentence intriguing. For more reference, I would recommend SAShadowfox. One could be forgiven for saying that his stories drag on describing every single thing that passes in the course of a day, but he describes it so originally that I never find myself getting bored with it. He could have been writing about a white eighth grade geography teacher doing his taxes and I still wouldn't have found the reading too tedious.
But yeah... Other than all that, there were a lot of issues with tenses and such. The piece needs some tidying up. I'd recommend that he read through it again and make corrections.
Sorry if you had to scroll a lot then >_<
Oh, so freelance? Mmmmm.... well I normally ask for more details, but I could easily just do a fan-fic of one of your characters if you're alright with that. I would need a fairly detailed bio if you don't want them doing/saying things you wouldn't like.
As to that story.... I'm going to try to finish it, but.... Well, what can I say? It's so detailed that it could evoke a perfect moving in the mind so that reading the story would be preferable to any actual movie one could make of it. It COULD BE, but it just doesn't. It's incredibly well detailed, but there's nothing poetic or novel enough about it to captivate an audience and really draw them in other than the topic of the story itself. There's a technique that he really needs to incorporate and it goes thus:
A reader tends to focus more on dialogue than on narration because they're used to living in real life, which has no narration. Ergo, it's good to make dialogue and narration flow within the same paragraph so that the reader pays more attention to the narration, which goes with the dialogue, and naturally experiences a higher level of immersion. Example:
'Jane excitedly put her hands on Mary's shoulders. Her eyes burned bright with questions. "So what did he say? Did he ask you out?" '
This makes both the mistake of keeping dialogue and narration separate, and puts all narration before dialogue. It also takes little use of poetic details. A better way to put it might be:
'Jane excitedly put her hands on Mary's shoulders. "So what did he say? Did he ask you out?" she asked, eyes burning brightly like little suns of curiosity.'
This way makes dialogue and narration flow together smoothly.
You will also notice that the second example does not contain a single detail or description that couldn't already be pulled from the first example. But the use of similes makes the sentence intriguing. For more reference, I would recommend SAShadowfox. One could be forgiven for saying that his stories drag on describing every single thing that passes in the course of a day, but he describes it so originally that I never find myself getting bored with it. He could have been writing about a white eighth grade geography teacher doing his taxes and I still wouldn't have found the reading too tedious.
But yeah... Other than all that, there were a lot of issues with tenses and such. The piece needs some tidying up. I'd recommend that he read through it again and make corrections.
Oh shoot, forgot to mention!
Chet seems really, really afraid of "he said - she said." This is a reasonable fear and one that all good writers have. But he fails to see that the trick is to use it without becoming reliant on it. He's trying to make his technique more interesting than just chocolate, but it winds up being just banana, if ya get what I mean. The trick is to use different types of pronouns, minor nouns, and direct and indirect address, and use them ALL throughout the story as this big, delicious cocktail of varied dialogue-accompaniment narrative that gives you all of these distinct tastes of strawberry and kiwi and melon and pineapple and papaya and mango with just a pinch of nutmeg to give it a bit of spice.
Also, metaphors are golden =3
Chet seems really, really afraid of "he said - she said." This is a reasonable fear and one that all good writers have. But he fails to see that the trick is to use it without becoming reliant on it. He's trying to make his technique more interesting than just chocolate, but it winds up being just banana, if ya get what I mean. The trick is to use different types of pronouns, minor nouns, and direct and indirect address, and use them ALL throughout the story as this big, delicious cocktail of varied dialogue-accompaniment narrative that gives you all of these distinct tastes of strawberry and kiwi and melon and pineapple and papaya and mango with just a pinch of nutmeg to give it a bit of spice.
Also, metaphors are golden =3
your skill wish shading is a far bit improved since your last color work! you either got some secret practice or you are making some serious leaps and bounds in your coloring skills elly! :D now all you have left is soft lighting transitions and your style will bloom into something iconic all it's own. <3
well, i guess it kinda is already...but more so. :P
well, i guess it kinda is already...but more so. :P
Oh my. >w<... thank you very much, dear. u///u...
Haha, trust me. no secret practice. XD... I just had a compulsion to use the pen tool. And actually, the shading was simpler after that. But the effect was fabulous ...
now, soft lighting transitions. That's exactly what made me think to use the pen tool in the first place. ... though I was very very far from achieving it. ^^"... haha, miscalculations on my part of colors.
I appreciate the sweetness *huggles you gently*
Haha, trust me. no secret practice. XD... I just had a compulsion to use the pen tool. And actually, the shading was simpler after that. But the effect was fabulous ...
now, soft lighting transitions. That's exactly what made me think to use the pen tool in the first place. ... though I was very very far from achieving it. ^^"... haha, miscalculations on my part of colors.
I appreciate the sweetness *huggles you gently*
well, something that might help for the future then, you can reduce the hardness and the translucency at the edge and the airbrush tool is great for light and glow effects. :3
also, try doing your shading on it's own layer so you can freely adjust the color tone bars for variations on colors like you had an issue with. ;)
lastly, your always welcome elly. <3
also, try doing your shading on it's own layer so you can freely adjust the color tone bars for variations on colors like you had an issue with. ;)
lastly, your always welcome elly. <3
Oh! Thank you for the tips, I'll keep them in mind. n///n... that might be the key to my soft lighting transitions problem.
And don't you worry, I'm very meticulous with my layers.
Heehee, I can't wait to see your next colored work, with you knowing these. ... you must be having fun tinkering with photoshop tools.
And don't you worry, I'm very meticulous with my layers.
Heehee, I can't wait to see your next colored work, with you knowing these. ... you must be having fun tinkering with photoshop tools.
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