I might be alone on this one
10 years ago
This is the beginning of my Journal.
Not trying to start anything, but I have an issue with YCH commissions.
Maybe I'm indignant, but what I think when I see them is massive amounts of laziness. And maybe that's a good business model? But seriously? You finish a sketch and like the pose, so you want to sell it--excuse me, MONETIZE IT. I get it, some people do this as their main source of income, and I'm only churning out 5-15 works in a year, so maybe I don't have room to talk. But let me tell you how I do my commissions, because almost everyone I have been commissioned by, I have tried to make sure that I gave them exactly what they wanted, to the best of my ability. YCH is a half-step from adoptables and I loathe them.
I Get the note. It makes me happy!
I note back saying I will work the commission. (mind you I've only ever turned down one because it was hella sketch)
Commissioner tells ME what THEY want (magic, I know.)
We agree on price.
I deliver sketch (sometimes several fast and loose ones first to get pose and framing, and then let commissioner choose)
We make changes together based on customer recommendations.
I show final sketch.
Any other changes are made, I move onto Inks, which I then request feeback for them.
Payment is made.
Any other changes are made and colors are applied.
Provide flats, get approval.
Add proper level of detail and coloring.
Final product delivered to commissioner. Sometimes I'll even give gifts (little chibis or pixel characters) as thank you.
Repeat at commissioner fancy.
I have had only 1 repeat customer, who honestly, I would draw art for anyway and not expect anything in return because he's that fuckin' cool.
But maybe I'm wrong. Maybe quick turn on original artwork for individual customers is a dinosaur approach?
Let me know if I'm crazy and I'll get a tinfoil hat commissioned directly for my head.
Maybe I'm indignant, but what I think when I see them is massive amounts of laziness. And maybe that's a good business model? But seriously? You finish a sketch and like the pose, so you want to sell it--excuse me, MONETIZE IT. I get it, some people do this as their main source of income, and I'm only churning out 5-15 works in a year, so maybe I don't have room to talk. But let me tell you how I do my commissions, because almost everyone I have been commissioned by, I have tried to make sure that I gave them exactly what they wanted, to the best of my ability. YCH is a half-step from adoptables and I loathe them.
I Get the note. It makes me happy!
I note back saying I will work the commission. (mind you I've only ever turned down one because it was hella sketch)
Commissioner tells ME what THEY want (magic, I know.)
We agree on price.
I deliver sketch (sometimes several fast and loose ones first to get pose and framing, and then let commissioner choose)
We make changes together based on customer recommendations.
I show final sketch.
Any other changes are made, I move onto Inks, which I then request feeback for them.
Payment is made.
Any other changes are made and colors are applied.
Provide flats, get approval.
Add proper level of detail and coloring.
Final product delivered to commissioner. Sometimes I'll even give gifts (little chibis or pixel characters) as thank you.
Repeat at commissioner fancy.
I have had only 1 repeat customer, who honestly, I would draw art for anyway and not expect anything in return because he's that fuckin' cool.
But maybe I'm wrong. Maybe quick turn on original artwork for individual customers is a dinosaur approach?
Let me know if I'm crazy and I'll get a tinfoil hat commissioned directly for my head.
FA+

Then I realized why it wasn't bad: Participation is optional.
Everyone who bids on or joins in on a YCH is doing so because they want to. If YCH's were so terrible, people wouldn't but them, and they would have died out long ago. Fact is, it makes for happy customers, and that's all that matters.
oh, pardon, *eh hem* After you Adopt them...
ych's are of little interest only because most them them aren't what I'd like...
*shrugs* then again, most of the artists I've commissioned I've said "here's my character, do something with them and makes it pretty!" I leave a LOT up to the artist MOST of the time because I'm not that creative
VERY rarely I want a specific picture, and the artist doesn't wanna do that picture.
I do however, disagree with auctioned preposes. If you're saving up for something in particular or for a charity and need to raise funds relatively quickly, that's fine, I understand. But when you charge like 30$ for a regular single character cell shaded commission and you're auctioning a picture of a single character cell shaded with an autobuy of 60$, you're basically charging people double for no reason. I don't agree with that, at all. Plus, I've seen quite a few popular artists earning insane amounts of money on these prepose auctions and then the final product they deliver looks lazy, sloppy and hardly worth the money (and I don't mean that in the sense that I feel their art is not worth it, but that it lacks the quality of their other works), it's disgusting.
I agree that there is a lot of effort and time eliminated in using pre-posed characters. I feel like those are missed opportunities to get the feel of the character, to present something new/different. Not just your own style, but the character's.
I just don't like the idea of artists milling out characters so quickly that they miss the part about relaying a message. And in not sending a message, that sends me a message that they don't care about your interests in the character, just your money. But again, I may be the only one that feels that way.
We're not "milling out characters so quickly" that we miss relaying anything. Majority of preposes are porn, porn doesn't have a message. If people want a meaningful image with a message, they commission one. Putting a message across is not the point of a prepose in most cases and art doesn't even have to have a message at all. Wanting to earn money certainly does NOT mean that someone doesn't care about the character. I care about each and every single one of my commissions, I communicate with my commissioners constantly and always tell them to be honest with me if there's something they don't like so I can fix it. Maybe not all artists work that way, but just because we're doing this to get paid does not mean we do not care. We all have to earn a living, that's the entire point of doing commissions, no one does commissions because they WANT to, they do it because they have to earn money. If they didn't need to earn money, they'd just do requests instead. To imply that an artist is greedy for wanting to save time and make more money by doing preposes is really naive. Who DOESN'T want to earn money? Is the plumber who fixes your toilet greedy? What about the man who does your taxes? Provide a service, get paid. Some people care about the work more than others but we all deserve to get paid for it.
You're an artist yourself, you know the industry, you know how little we get paid. I can spend eight hours on a two character image and only earn 45$, that's only around £28, I could earn that in four and a half hours at a minimum wage job. We're already incredibly underpaid (and the market is incredibly competitive), if someone wants to do a prepose so they don't have to spend ages tweaking a sketch to get it perfect for a commissioner (or to draw a pose only to have the commissioner tell them that they misunderstood entirely and they have to redraw the image from scratch), that's their prerogative. Commissioners also like preposes because it means that they don't have to spend ages trying to explain what kind of pose they want, the pose is already there and they love it enough to want to buy it so they can see their character like that. Let's not forget that preposes can be tweaked if the commissioner asks for it. Again, not all artists care, not all artists want to do good work, some people DO just care about money, but you can't lump every artist who does preposes in the same category. I'm certainly not going to say some people aren't lazy, I saw a prepose go for 90$ at auction the other day and the final product was lazy and messy and that pisses me off because some poor sap just got ripped off for sub-standard work (the artist was capable of doing better) and it gives the rest of us a bad name.